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‘Poor Things’ review: Emma Stone brilliantly anchors a full-tilt bizarre comedy
Nandini Ramnath
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Anand Patwardhan: Breaking the shackles of the Military Industrial Complex
Anand Patwardhan
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Interview: ‘Weddings look great on Instagram, but what about anti-discrimination laws?’
Sharif Rangnekar
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In the politics of touch between men in India, a German artist finds ‘endless, subtle meanings’
R Raj Rao
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Why does Indian law protect men who rape their wives?
Nolina Minj
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‘Ponniyin Selvan: I’ and beyond: When jewellery plays a starring role in the movies
Scroll Staff
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What brothel set design tells us about films that explore sex work
Nandini Ramnath
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‘Badhaai Do’ review: A ‘lavender marriage’ struggles through the sludge
Nandini Ramnath
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Exploding the myth that reservations are responsible for ‘mediocrity in the medical profession’
Kiran Kumbhar, The India Forum
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Reading ‘Desperately Seeking Shah Rukh’: How an actor inspired my search for intimacy and acceptance
Sayari Debnath
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Urban Lens Film Festival explores migration, history and the pandemic
Scroll Staff
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How Kabir Bedi became an Italian sex symbol with ‘Sandokan’
Scroll Staff
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Why Bollywood’s new-found love for the abolished Film Certification Appellate Tribunal is surprising
Prashant Reddy T
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How will the French series ‘Call My Agent!’ fare in its Indian remake?
Scroll Staff
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‘Change is the only constant in life’: Jisshu Sengupta on life since Rituparno Ghosh
Devarsi Ghosh
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A young woman has a mental health breakdown that leads to a blackout. This novel is not all made up
Tazmeen Amna
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For Indian Americans, Black Lives Matter movement is a chance to discuss casteism and racism
Anisha Sircar
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New films in Dharamshala festival’s viewing room, including ‘Miss Lovely’ and ‘Nabarun’
Scroll Staff
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Bois Locker Room: India’s entitled children need forums to challenge their misogyny and casteism
Radha Khan
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‘She’ review: Profane games and limp erotic thrills
Nandini Ramnath