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What’s behind the Kareena Kapoor Khan swerve: ‘It’s important to keep changing yourself’
Nandini Ramnath
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‘Images, phrases, characters’: Farah Ahamed on the literary influences on her book ‘Period Matters’
Farah Ahamed
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In ‘Goldfish’, a mother tries to remember and a daughter wants to forget
Nandini Ramnath
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How Satyajit Ray achieved historical accuracy in his first Hindi film ‘Shatranj ke Khilari’
Sarbajit Mitra
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Caste threads are spawning deadly conflicts in Tamil Nadu schools
Johanna Deeksha
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Gerson da Cunha (1929-2022): Ad man, actor and activist driven by concern for Mumbai’s future
Jerry Pinto
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On the trail of The Beatles in India, a reminder of the paths that led them here
Nandini Ramnath
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Kannada film ‘Pedro’: A crackling chronicle of rural disquiet
Nandini Ramnath
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From Bollywood to Beatles and beyond: The amazing journey of Shiv Dayal Batish
Anu Kumar
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Revisiting mid-century Dharwad in Girish Karnad’s autobiography, interrogating the tug of nostalgia
Vivek Menezes
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Meet Kodak Krishnan, Eastman’s man from the East
Swarnavel Eswaran
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Writer and founder of Tata literature festival Anil Dharker dies at 74
Scroll Staff
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Amit Chaudhuri on Satyajit Ray’s very Indian modernity: Not a ‘beginning’ as much as a ‘fruition’
Amit Chaudhuri
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On Bangladesh’s Victory Day, remembering a landmark concert that grabbed the world’s attention
Ajay Mankotia
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How Radhika Apte was cast as undercover agent Noor Inayat Khan in ‘A Call To Spy’
Nandini Ramnath
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Jerusalema: Why a South African song has become the soundtrack to a world in lockdown
Vivek Menezes
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Ravi Shankar’s biographer Oliver Craske (rightly) foregrounds his music over his personal life
Keshav Desiraju
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Art sans borders: How the pandemic has brought the two Punjabs closer through literature
Jasdeep Singh
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Documentary on Kanwar Yatra examines the throb and thrum of the annual pilgrimage
Nandini Ramnath
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In ambitious Midnight’s Family virtual art exhibition, unwieldy conceptual baggage blurs the picture
Vivek Menezes