The six-book shortlist for the £50,000 Man Booker Prize is here. Whittled down from the longlist of 13, itself picked from 155 submissions. A Scotsman, two Americans, one English writer, a Canadian, and another Canadian-born writer make up the six. And here's how their contending novels begin:
Hot Milk, Deborah Levy
2015. Almería. Southern Spain. August.
Today I dropped my laptop on the concrete floor of a bar built on the beach. It was tucked under my arm and slid out of its black rubber sheath (designed like an envelope), landing screen side down. The digital page is now shattered but at least it still works. My laptop has all my life in it and knows more about me than anyone else.
So what I am saying is that if it is broken, so am I.
My screen saver is an image of a purple night sky crowded with stars, and constellations and the Milky Way, which takes its name from the classical Latin lactea. My mother told me years ago that I must write Milky Way like this – γαλαζίας κύκλος – and that Aristotle gazed up at the milky circle in Chalcidice, thirty-four miles east of modern-day Thessaloniki, where my father was born. The oldest star is about 13 billion years old but the stars on my screen saver are two years old and were made in China. All this universe is now shattered.
His Bloody Project: Documents relating to the case of Roderick Macrae, Graeme Macrae Burnet
I am writing this at the behest of my advocate, Mr Andrew Sinclair, who since my incarceration here in Inverness has treated me with a degree of civility I in no way deserve. My life has been short and of little consequence, and I have no wish to absolve myself of responsibility for the deeds which I have lately committed. It is thus for no other reason than to repay my advocate’s kindness towards me that I commit these words to paper.
So begins the memoir of Roderick Macrae, a seventeen-year-old crofter, indicted on the charge of three brutal murders carried out in his native village of Culduie in Ross-shire on the morning of the 10th of August 1869.
It is not my intention to unduly detain the reader, but a few prefatory remarks may provide a little context to the material collected here. Those readers who prefer to proceed directly to the documents themselves are of course free to do so.
In the spring of 2014, I embarked on a project to find out a little about my grandfather, Donald ‘Tramp’ Macrae, who was born in 1890 in Applecross, two or three miles north of Culduie. It was in the course of my research at the Highland Archive Centre in Inverness that I came across some newspaper clippings describing the trial of Roderick Macrae, and with the assistance of Anne O’Hanlon, the archivist there, discovered the manuscript which comprises the largest part of this volume.
The Sellout, Paul Beatty
This may be hard to believe, coming from a black man, but I’ve never stolen anything. Never cheated on my taxes or at cards. Never snuck into the movies or failed to give back the extra change to a drugstore cashier indifferent to the ways of mercantilism and minimum-wage expectations. I’ve never burgled a house. Held up a liquor store. Never boarded a crowded bus or subway car, sat in a seat reserved for the elderly, pulled out my gigantic penis and masturbated to satisfaction with a perverted, yet somehow crestfallen, look on my face. But here I am, in the cavernous chambers of the Supreme Court of the United States of America, my car illegally and somewhat ironically parked on Constitution Avenue, my hands cuffed and crossed behind my back, my right to remain silent long since waived and said goodbye to as I sit in a thickly padded chair that, much like this country, isn’t quite as comfortable as it looks.
Summoned here by an officious-looking envelope stamped IMPORTANT! in large, sweepstakes-red letters, I haven’t stopped squirming since I arrived in this city.
“Dear Sir,” the letter read.
“Congratulations, you may already be a winner! Your case has been selected from hundreds of other appellate cases to be heard by the Supreme Court of the United States of America. What a glorious honor! It’s highly recommended that you arrive at least two hours early for your hearing scheduled for 10:00 a.m. on the morning of March 19, the year of our Lord . . .” The letter closed with directions to the Supreme Court building from the airport, the train station, I-95, and a set of clip-out coupons to various attractions, restaurants, bed-and-breakfasts, and the like. There was no signature. It simply ended . . .
Sincerely yours, The People of the United States of America
Eileen, Ottessa Moshfegh
I looked like a girl you’d expect to see on a city bus, reading some clothbound book from the library about plants or geography, perhaps wearing a net over my light brown hair. You might take me for a nursing student or a typist, note the nervous hands, a foot tapping, bitten lip. I looked like nothing special. It’s easy for me to imagine this girl, a strange, young and mousy version of me, carrying an anonymous leather purse or eating from a small package of peanuts, rolling each one between her gloved fingers, sucking in her cheeks, staring anxiously out the window. The sunlight in the morning illuminated the thin down on my face, which I tried to cover with pressed powder, a shade too pink for my wan complexion. I was thin, my figure was jagged, my movements pointy and hesitant, my posture stiff. The terrain of my face was heavy with soft, rumbling acne scars blurring whatever delight or madness lay beneath that cold and deadly New England exterior. If I’d worn glasses I could have passed for smart, but I was too impatient to be truly smart...
All That Man Is, David Szalay
Berlin-Hauptbahnhof.
It is where the trains from Poland get in and the two young Englishmen are newly arrived from Kraków. They look terrible, these two teenagers, exhausted by the ordeal of the train, and thin and filthy from ten days of Inter Railing. One of them, Simon, stares listlessly at nothing. He is a handsome boy, high-cheekboned, with a solemn, inexpressive, nervous face. The station pub is noisy and smoky at seven in the morning, and he is listening, with disapproval, to the men at the next table – one of them American, it seems, the other German and older, who says, smiling, ‘You only lost four hundred thousand soldiers. We lost six million.’
The American says something which is lost in the din.
‘The Russians lost twelve million – we killed six million.’
Simon lights a Polish cigarette, sees the word ‘Spiegelei’ on a laminated menu, the money on the table, waiting for the waiter to take it – euros, nice-looking, modern-looking money. He likes the fonts the designers have used, plain, unornamented.
‘A million died just in Leningrad. A million!’
People are drinking beer. Outside, drizzle is starting to dampen the grey environs of the station.
Do Not Say We Have Nothing, Madeleine Thien
In a single year, my father left us twice. The first time, to end his marriage, and the second, when he took his own life. That year, 1989, my mother flew to Hong Kong and laid my father to rest in a cemetery near the Chinese border. Afterwards, distraught, she rushed home to Vancouver where I had been alone. I was ten years old.
Here is what I remember:
My father has a handsome, ageless face; he is a kind but melancholy man. He wears glasses that have no frames and the lenses give the impression of hovering just before him, the thinnest of curtains. His eyes, dark brown, are guarded and unsure; he is only 39 years old. My father’s name was Jiang Kai and he was born in a small village outside of Changsha. Later on, when I learned my father had been a renowned concert pianist in China, I thought of the way his fingers tapped the kitchen table, how they pattered across countertops and along my mother’s soft arms all the way to her fingertips, driving her crazy and me into fits of glee. He gave me my Chinese name, Jiang Li-ling, and my English one, Marie Jiang. When he died, I was only a child, and the few memories I possessed, however fractional, however inaccurate, were all I had of him. I’ve never let them go.
In my twenties, in the difficult years after both my parents had passed away, I gave my life wholeheartedly to numbers—observation, conjecture, logic and proof, the tools we mathematicians have not only to interpret, but simply to describe the world. For the last decade I have been a professor at Simon Fraser University in Canada. Numbers have allowed me to move between the unimaginably large and the magnificently small; to live an existence away from my parents, their affairs and unrequited dreams and, I used to think, my own.
