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Film review: In 'Logan', Hugh Jackman claws his way to a fitting end to the Wolverine franchise

Third time proves to be lucky for the most charismatic and beloved of the X-Men characters.

After 17 years of playing iconic characters, Hugh Jackman as Logan/Wolverine and Patrick Stewart as Professor Charles Xavier have turned in their performances in Logan. A note of finality is writ large over the concluding film in the Wolverine franchise. Little is revealed about the near-future in which Logan takes place, except for the fact that humanity has succeeded in destroying nearly all mutants. Except for Logan, who is mostly silent and world-weary, with the vagaries of age lining his face. This is a superhero whose body is eating away at him from the inside.

Much of the film is about the quiet moments. They focus on the relationship between Logan and Xavier, which is pitched as an angry son taking care of his aged father who has been distant all these years. Logan doesn’t talk much but every character around him psychoanalyses him. The former teacher, unwillingly, and Logan, willingly, are primed to wait out the rest of their lives in an abandoned industrial complex. But as is the case with most superhero movies, nobody is content to let them retire in peace. So Laura Kinney (Dafne Keen) mostly super-cute but actually a mini-Wolverine who eviscerates her enemies with lightning-quick reflexes without emotion or effort, is thrown into the mix.

The second half becomes a road movie in which Logan, Laura and Xavier drive towards a mutant Eden in North Dakota while attempting to escape the men who are looking for Laura. Here, the action steadily proceeds to grow more brutal. While there is a certain pleasure in seeing the adamantine claws of Logan and Laura pierce every part of the human body, there is greater thrills in watching layers of Wolverine’s hardened exterior peel away as he bonds with his younger self.

The irony of the Wolverine character was that the most beloved and most charismatic of the X-Men could never find a good movie to showcase his abilities despite many attempts. Part of that reason, as with Superman, was the fact that the mutant superhero’s powers overwhelmed his personality.

The concluding part of director James Mangold’s Wolverine trilogy is not about men in tights taking on the bad guys. It also isn’t about the violent and wince-inducing action, but about the relationship between the characters. If the previous films focussed on Wolverine’s superior healing abilities and fighting skills, Mangold has finally cracked the code with the third film – it’s the humane side of Wolverine/Logan that was always the most interesting thing about him.

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A special shade of blue inspired these musicians to create a musical piece

Thanks to an interesting neurological condition called synesthesia.

On certain forums on the Internet, heated discussions revolve around the colour of number 9 or the sound of strawberry cupcake. And most forum members mount a passionate defence of their points of view on these topics. These posts provide insight into a lesser known, but well-documented, sensory condition called synesthesia - simply described as the cross wiring of the senses.

Synesthetes can ‘see’ music, ‘taste’ paintings, ‘hear’ emotions...and experience other sensory combinations based on their type. If this seems confusing, just pay some attention to our everyday language. It’s riddled with synesthesia-like metaphors - ‘to go green with envy’, ‘to leave a bad taste in one’s mouth’, ‘loud colours’, ‘sweet smells’ and so on.

Synesthesia is a deeply individual experience for those who have it and differs from person to person. About 80 different types of synesthesia have been discovered so far. Some synesthetes even have multiple types, making their inner experience far richer than most can imagine.

Most synesthetes vehemently maintain that they don’t consider their synesthesia to be problem that needs to be fixed. Indeed, synesthesia isn’t classified as a disorder, but only a neurological condition - one that scientists say may even confer cognitive benefits, chief among them being a heightened sense of creativity.

Pop culture has celebrated synesthetic minds for centuries. Synesthetic musicians, writers, artists and even scientists have produced a body of work that still inspires. Indeed, synesthetes often gravitate towards the arts. Eduardo is a Canadian violinist who has synesthesia. He’s, in fact, so obsessed with it that he even went on to do a doctoral thesis on the subject. Eduardo has also authored a children’s book meant to encourage latent creativity, and synesthesia, in children.

Litsa, a British violinist, sees splashes of paint when she hears music. For her, the note G is green; she can’t separate the two. She considers synesthesia to be a fundamental part of her vocation. Samara echoes the sentiment. A talented cellist from London, Samara can’t quite quantify the effect of synesthesia on her music, for she has never known a life without it. Like most synesthetes, the discovery of synesthesia for Samara was really the realisation that other people didn’t experience the world the way she did.

Eduardo, Litsa and Samara got together to make music guided by their synesthesia. They were invited by Maruti NEXA to interpret their new automotive colour - NEXA Blue. The signature shade represents the brand’s spirit of innovation and draws on the legacy of blue as the colour that has inspired innovation and creativity in art, science and culture for centuries.

Each musician, like a true synesthete, came up with a different note to represent the colour. NEXA roped in Indraneel, a composer, to tie these notes together into a harmonious composition. The video below shows how Sound of NEXA Blue was conceived.


You can watch Eduardo, Litsa and Samara play the entire Sound of NEXA Blue composition in the video below.


To know more about NEXA Blue and how the brand constantly strives to bring something exclusive and innovative to its customers, click here.

This article was produced by the Scroll marketing team on behalf of NEXA and not by the Scroll editorial team.