Tax Talk

How multiple tax slabs provide smaller businesses a reason to invent a cash trail to dodge GST

Cash trails are more likely to emerge in the unorganised sector.

When traders in Nepal purchase silk yarn from China, consignments land at the Kolkata port, from where they are taken by road to the Himalayan nation. Along the way, bales of silk yarn are offloaded and dispatched to Varanasi, the home of Banarasi silk saris, and beyond. Partial or empty container trucks then drive into Nepal.

Through this ploy manufacturers have been able to access imported silk yarn on which no customs duty is imposed. It reduced their cost of production and gave them an edge over their competitors.

A manufacturer said that the diversion of silk yarn to Varanasi could not have happened without the connivance of officials, who, in most states, bag lucrative postings after paying off their political masters.

The manufacturer narrated this story to make the case that as in the earlier tax regime, government officials are likely to create channels for traders and small manufacturers to operate, at least partially, outside the Goods and Services Tax network. As in the past, he said, some business owners are likely to attempt to escape paying tax by operating their enterprises without showing their entire turnover in their records during the new GST regime. Though the GST system has been billed as a mechanism against dishonest businesses, it is government officials who will oversee and operate the system. It is they who are expected to point to possible methods to circumvent GST – or so businesspersons hope.

Differential tax slabs

The Goods and Services Tax, which is being touted as India’s biggest tax reform, was rolled out on July 1. It subsumes a range of central and state taxes. However, one of the criticisms against it was that under this new regime, the same product can fall under differential tax slabs. This, for instance, has triggered a price war on rice. This is because there is no GST on rice sold loose, while branded rice attracts 5% tax.

But because a brand is not recognised legally unless it is registered under the Trade Marks Act, 1999, India Gate, the country’s highest-selling rice brand, will not attract the 5% GST – and will, therefore, have a price advantage over competing registered brands. The manufacturer of India Gate had applied for registration years ago, but the application was pending when GST was inaugurated. Therefore, India Gate is not legally a brand.

A manufacturer of food items sold under a registered brand said that this is unfair. He felt that the different tax rates would encourage unscrupulous operators to imitate his packaging and sell products to retailers at 5% less than his price. These retailers will typically have an annual turnover of less than Rs 20 lakh and, therefore, will not have a GST number (since it is compulsory only for traders with annual turnovers of Rs 20 lakh or more to secure a GST number). Thus, they are likely to purchase and sell the imitation branded rice in cash. Though the GST regime establishes an audit trail on every purchase or sale by a trader, which is expected to make it difficult for traders to evade tax, transactions in cash will bypass the audit trail.

Even unregistered brands face this risk. However, because there are differential tax slabs for the same commodity, it will make economic sense for traders to imitate the designs of registered brands but price their product lower.

Looking for Loopholes

A similarly curious clause is that yarn blended with more than 50% polyester attracts 18% GST, but yarn with more than 50% wool has a levy of 5% GST. In Uttar Pradesh’s Bhadohi, famous for its carpets, officials were recently asked by traders what GST rate applied to blended yarn with 50% wool and 50% polyester. They did not have a clue.

Some suppliers in Bhadohi say they have already planned to show yarn blended with more than 50% polyester as yarn with more than 50% wool in their records (it is difficult to make out the precise composition of blended yarn without laboratory testing). This will save their customers 13% in tax, thus helping them to cut production costs. However, it is difficult to tell whether the suppliers will succeed in their efforts.

A textile manufacturer pointed to the irrationality of imposing 18% GST on processing chemicals and 28% GST on finishing chemicals, which are used in two different stages of production. Both chemicals come in black boxes, he said. Remove or switch stickers and government officials cannot tell one from the other. Yet the manufacturer said that there are fears that the officials might accuse manufacturers of playing this game even if they have not – and demand money. Bhadohi’s suppliers also cited harassment from officials as a factor behind their plans to get around the differential GST slabs for yarn.

The textile manufacturer said, “If my supplier does not play ball, I will find a replacement. I do not want to be priced out. Also, nobody pays a bribe from his pocket. You pay from the extra margin you earn through different methods.”

Photo credit: Manan Vatsyayana/AFP
Photo credit: Manan Vatsyayana/AFP

Real estate

In an already sluggish real estate market, GST might act as a speed-breaker to sales. A fully constructed apartment bought by making a one-time payment will incur zero GST after undergoing verification from a regulating committee.

By contrast, all construction-linked payments for flats will incur 18% GST. An apartment costing Rs 1 crore under such a plan will attract Rs 18 lakh as tax, an undeniably huge sum. One realtor said that he could foresee what will happen.

He said to save on GST, Person X will book a flat in the name of Y, who is his dummy. The instalments Y pays will actually be X’s money. When the last instalment is due, Y will notify the builder that he does not want to buy the flat, said the realtor. The builder will tell the regulating committee that Y has backed out, but he is fortunate to have a new purchaser in X. The builder will refund Rs 80 lakh to Y, whose money it wasn’t anyway. X will then buy the now completed flat for Rs 1 crore and not pay GST, said the realtor.

Such a method will raise issues of income disclosures, but the narrative underscores that multiple, high tax rates are already driving people to think of dodging GST.

Indeed, the state is asking to be cheated by hotels where multiple GST rates also apply. Rooms priced between Rs 1,000 and Rs 2,500 attract 12% GST, but those between Rs 2,500 and Rs 7,500 will have 18% GST. It is possible that hotels with low occupancy will woo customers by making them stay in the more expensive rooms, but bill them for those priced lower. The state will lose 6% tax.

Organised vs unorganised sector

GST is calculated on the value added at every stage through which a product passes until it reaches its final destination – the customer. One of the key features of this tax regime is the input credit. This is a deduction in the amount of tax a seller of a good has to pay the government, which is equivalent to the tax the seller already paid while buying the good from his supplier. As a general rule, the more input credit to claim, the less likely it is for a cash trail to emerge to beat GST. This is likely to dissuade large manufacturing units from attempting to bypass GST.

But it is likely to emerge in the unorganised sector. Earlier, units having a turnover of less than Rs 1.6 crore were exempt from excise tax. This enabled them to price their goods 12% less than those produced in the organised sector. No doubt, this provision was exploited. Companies with a turnover of Rs 5 crore would split themselves into three concerns to avail of the excise exemption. Or they would show themselves to be trading concerns, buying fake purchase and sale bills for which there is a flourishing market in India. This underground market is likely to now be pressed to service those planning to beat GST, observers predict.

A market observer said, “Small and medium manufacturers will perforce have to invent a cash trail for a part of their business. Input credit claims might not constitute a large percentage of their cost so as to dissuade them from doing business in cash.”

Those who deal in goods that fall within the highest slabs – 18% and 28% – are expected to face a rough time. Ultimately, the observer said, small manufacturers will wait to see what kind of structures are raised, courtesy officials, to evade the GST network. But his conservative estimate was that nearly 25% of small manufacturers and traders are likely to be wiped out or shift to opening neighbourhood retail stores, which will push them down the economic ladder.

Others feel the space thus evacuated will have big businesses open stores to sell directly to consumers. This will lower the price of their goods, for the more hands an item passes through the costlier it becomes.

Cash: The God of small things.

It is not just traders who will be looking to save tax – customers are too.

Rich Indians loathe bills, said a businessperson engaged in providing a service that now attracts 18% GST. Given that his customers would earlier insist on paying in cash to escape the earlier 15% levied on bills, he is sure they will not be willing to pay 18% GST now.

The businessman said, “So on an expenditure of Rs 1 lakh, I will have to issue a bill of Rs 10,000 plus Rs 1,800 as GST. The customer will have used Rs 90,000 of his black money, the state will lose Rs 16,200 in revenue, and I will make payments to suppliers and workers in cash. GST cannot wipe out cash at least in those areas where the rates are high.”

Is it possible that businesspeople in India have been too corrupt to respond positively to even lower tax rates? To this question, a businessman said that apart from brick-and-mortar banks, there are two other banks in India – votebanks and personal moneybanks. He then asked, “Do political parties, from the Bharatiya Janata Party to the Congress to regional and caste-based parties ever take an initiative that adversely affects their votebanks?”

He paused and answered, “No, they do not. They sacrifice political morality to keep intact their votebank. We sacrifice economic morality to keep our personal moneybanks intact.”

He said that if the tax rates were low, traders and businesses will have complied voluntarily and not thought of dodging GST, as the dip in their income will not have been too big. This is precisely what political parties do – they take initiatives to increase their respective votebanks, not to deplete them, he said.

This is the second part of a three-part series on the Goods and Services Tax. The first part can be read here.

Ajaz Ashraf is a journalist in Delhi. His novel, The Hour Before Dawn, has as its backdrop the demolition of the Babri Masjid.

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Swara Bhasker: Sharp objects has to be on the radar of every woman who is tired of being “nice”

The actress weighs in on what she loves about the show.

This article has been written by award-winning actor Swara Bhasker.

All women growing up in India, South Asia, or anywhere in the world frankly; will remember in some form or the other that gentle girlhood admonishing, “Nice girls don’t do that.” I kept recalling that gently reasoned reproach as I watched Sharp Objects (you can catch it on Hotstar Premium). Adapted from the author of Gone Girl, Gillian Flynn’s debut novel Sharp Objects has been directed by Jean-Marc Vallée, who has my heart since he gave us Big Little Lies. It stars the multiple-Oscar nominee Amy Adams, who delivers a searing performance as Camille Preaker; and Patricia Clarkson, who is magnetic as the dominating and dark Adora Crellin. As an actress myself, it felt great to watch a show driven by its female performers.

The series is woven around a troubled, alcohol-dependent, self-harming, female journalist Camille (single and in her thirties incidentally) who returns to the small town of her birth and childhood, Wind Gap, Missouri, to report on two similarly gruesome murders of teenage girls. While the series is a murder mystery, it equally delves into the psychology, not just of the principal characters, but also of the town, and thus a culture as a whole.

There is a lot that impresses in Sharp Objects — the manner in which the storytelling gently unwraps a plot that is dark, disturbing and shocking, the stellar and crafty control that Jean-Marc Vallée exercises on his narrative, the cinematography that is fluid and still manages to suggest that something sinister lurks within Wind Gap, the editing which keeps this narrative languid yet sharp and consistently evokes a haunting sensation.

Sharp Objects is also liberating (apart from its positive performance on Bechdel parameters) as content — for female actors and for audiences in giving us female centric and female driven shows that do not bear the burden of providing either role-models or even uplifting messages. 

Instead, it presents a world where women are dangerous and dysfunctional but very real — a world where women are neither pure victims, nor pure aggressors. A world where they occupy the grey areas, complex and contradictory as agents in a power play, in which they control some reigns too.

But to me personally, and perhaps to many young women viewers across the world, what makes Sharp Objects particularly impactful, perhaps almost poignant, is the manner in which it unravels the whole idea, the culture, the entire psychology of that childhood admonishment “Nice girls don’t do that.” Sharp Objects explores the sinister and dark possibilities of what the corollary of that thinking could be.

“Nice girls don’t do that.”

“Who does?”

“Bad girls.”

“So I’m a bad girl.”

“You shouldn’t be a bad girl.”

“Why not?”

“Bad girls get in trouble.”

“What trouble? What happens to bad girls?”

“Bad things.”

“What bad things?”

“Very bad things.”

“How bad?”


“Like what?”


A point the show makes early on is that both the victims of the introductory brutal murders were not your typically nice girly-girls. Camille, the traumatised protagonist carrying a burden from her past was herself not a nice girl. Amma, her deceptive half-sister manipulates the nice girl act to defy her controlling mother. But perhaps the most incisive critique on the whole ‘Be a nice girl’ culture, in fact the whole ‘nice’ culture — nice folks, nice manners, nice homes, nice towns — comes in the form of Adora’s character and the manner in which beneath the whole veneer of nice, a whole town is complicit in damning secrets and not-so-nice acts. At one point early on in the show, Adora tells her firstborn Camille, with whom she has a strained relationship (to put it mildly), “I just want things to be nice with us but maybe I don’t know how..” Interestingly it is this very notion of ‘nice’ that becomes the most oppressive and deceptive experience of young Camille, and later Amma’s growing years.

This ‘Culture of Nice’ is in fact the pervasive ‘Culture of Silence’ that women all over the world, particularly in India, are all too familiar with. 

It takes different forms, but always towards the same goal — to silence the not-so-nice details of what the experiences; sometimes intimate experiences of women might be. This Culture of Silence is propagated from the child’s earliest experience of being parented by society in general. Amongst the values that girls receive in our early years — apart from those of being obedient, dutiful, respectful, homely — we also receive the twin headed Chimera in the form of shame and guilt.

“Have some shame!”

“Oh for shame!”




“Do not bring shame upon…”

Different phrases in different languages, but always with the same implication. Shameful things happen to girls who are not nice and that brings ‘shame’ on the family or everyone associated with the girl. And nice folks do not talk about these things. Nice folks go on as if nothing has happened.

It is this culture of silence that women across the world today, are calling out in many different ways. Whether it is the #MeToo movement or a show like Sharp Objects; or on a lighter and happier note, even a film like Veere Di Wedding punctures this culture of silence, quite simply by refusing to be silenced and saying the not-nice things, or depicting the so called ‘unspeakable’ things that could happen to girls. By talking about the unspeakable, you rob it of the power to shame you; you disallow the ‘Culture of Nice’ to erase your experience. You stand up for yourself and you build your own identity.

And this to me is the most liberating aspect of being an actor, and even just a girl at a time when shows like Sharp Objects and Big Little Lies (another great show on Hotstar Premium), and films like Veere Di Wedding and Anaarkali Of Aarah are being made.

The next time I hear someone say, “Nice girls don’t do that!”, I know what I’m going to say — I don’t give a shit about nice. I’m just a girl! And that’s okay!

Swara is a an award winning actor of the Hindi film industry. Her last few films, including Veere Di Wedding, Anaarkali of Aaraah and Nil Battey Sannata have earned her both critical and commercial success. Swara is an occasional writer of articles and opinion pieces. The occasions are frequent :).

Watch the trailer of Sharp Objects here:


This article was published by the Scroll marketing team with Swara Bhasker on behalf of Hotstar Premium and not by the Scroll editorial team.