Ground report

Ground report: How caste riots in Rajasthan’s Hindaun city left homes of Dalit politicians in flames

Protests against a Supreme Court ruling on the Scheduled Castes and Scheduled Tribes (Prevention of Atrocities) Act set off the violence.

In Rajasthan’s Hindaun city, the home of former Congress MLA Bharosi Lal Jatav was deserted on Wednesday, a day after it was set on fire by a mob. Smoke still curled out of a window while the hulk of a burnt Ambassador sat outside the building. The residence of sitting MLA Rajkumari Jatav, also set ablaze by a mob the same day, stood similarly deserted. Above her house, the flag of her party, the Bharatiya Janata Party, still fluttered.

In the city’s Jatav neighbourhood, Manohar Jatav spoke angrily of the arson attack targeting the two Dalit politicians. “Think about it. If an MLA and a former MLA, these big people, are not safe, what is the state of the common Dalit?” he asked, adding, “We live in fear.”

The violence in Hindaun, a town of around 1 lakh people, was the fallout of a Supreme Court judgement on March 20 barring the arrest of public servants under the Scheduled Castes and Scheduled Tribes (Prevention of Atrocities) Act before a preliminary inquiry is conducted – a move aimed at curbing alleged misuse of the law. However, communities protected by the legislation termed it a dilution and called for a Bharat Bandh on Monday. Nine people were killed and hundreds detained in violence that broke out across the country during the all-India strike. In Hindaun, Dalits set fire to a section of the railway station and shut down commercial establishments, most of them owned by non-Dalits. It led to a retaliation the following day by upper-caste residents, who burned down the homes of the two politicians and threatened to attack the city’s Dalit neighbourhood.

Dalit rally

The strike call reached Dalits in Hindaun via WhatsApp and other social media platforms. Leaders of the Jatav community, the largest Dalit sub-group in the region, organised a protest rally on Monday against the court order. The mobilisation was very successful, so much so that the leaders soon found the crowd difficult to control. “There were too many people at the rally,” said Manoj Jatav, a municipal ward member. “It got difficult to control and some protestors started to move towards the railway station.”

The call for a Bharat Bandh on Monday spread via WhatsApp and other social media tools.
The call for a Bharat Bandh on Monday spread via WhatsApp and other social media tools.

The mob set fire to parts of the railway station as well as some state government buses outside it. It also clashed with the owners of commercial establishments who refused to down their shutters. “I told them I will close if they want me to, but they did not listen,” said Ram Khiladi, who runs a tea stall at the city bus stand. He said the protestors hit him on the head and looted his shop.

In the Jatav neighbourhood, Dalits claimed they were attacked as well. “I was going to the hospital when these people called me in, asked me my name [to ascertain her caste] and then beat me brutally with sticks,” said Kanta Devi.

The administration was also taken aback by the number of Dalit protestors. “We had planned for the protest but the scale of it was unexpected,” said Abhimanyu Kumar, the collector of Karauli district of which Hindaun is a part. Kumar suggested people from neighbouring districts were part of the rally. “We are conducting an investigation into how that happened,” he said.

The Hindaun City railway station suffered some damage during the Dalit protests on Monday.
The Hindaun City railway station suffered some damage during the Dalit protests on Monday.

Upper-caste retaliation

On Tuesday, the upper-caste residents of Hindaun countered with a rally of their own. “Some local people and the trader associations of the city got together a crowd,” said Inspector General of Police, Bharatpur range, Alok Kumar Vashishtha.

The crowd set fire to the home of Bharosi Lal Jatav, who had been the Hindaun MLA from 2008 to 2013 before losing the Assembly election that year to Rajkumari Jatav of the BJP. The mob targeted her house too.

They attacked other Jatav establishments as well. “My furniture showroom is the largest Dalit establishment in the city,” said Challeshwar Jatav. “The mob picked out my shop and burnt it.”

The mob then turned towards the Jatav neighbourhood. But the police stopped them with a baton charge, said Vashishtha.

Curfew was imposed in the city but was relaxed for a few hours on Wednesday.

The BJP flag flies atop Hindaun MLA Rajkumari Jatav's charred house.
The BJP flag flies atop Hindaun MLA Rajkumari Jatav's charred house.

Riot and rumours

As the violence raged on Monday and Tuesday, rumours swirled. Many Dalit protestors said they believed the Supreme Court order would eventually lead to the withdrawal of caste-based reservations in jobs and education. “This is the first step to end reservation,” said Manish Jatav.

Among the upper castes, there was speculation that the Dalits of Hindaun were planning a mass conversion to Islam, even though no Dalit leader had made such a claim. Refuting these rumours, municipal ward member Manoj Jatav said, “There is no plan of conversion.”

The violence on Tuesday was also driven to a certain extent by unverified reports of Dalit protestors stopping a school bus and molesting school girls the previous day. “This is a totally baseless rumour,” said Anil Kayal, Karauli’s superintendent of police. “An empty bus of Agrasen Public School was stoned, that is it. There was no one inside.”

Rumours of Hindaun Municipal Corporation vice-chairman Nafees Ahmed’s involvement in Monday’s violence also went around. “A mob almost came and burnt down my house,” Ahmed, who is in hiding, told on the phone. Kayal clarified that Ahmed had no connection to the Dalit rally on Monday.

The conflict saw party lines crumble as caste took over. Vinod Jatav, the son of Bharosi Lal Jatav, accused Congress politician Bhagwan Sahay Sharma of leading the mob that burnt down his house. Sharma has been arrested.

Former Hindaun MLA Bharosi Lal Jatav's gutted house.
Former Hindaun MLA Bharosi Lal Jatav's gutted house.

Elections round the corner

The violence in Hindaun has once again focused Dalit anger on the ruling BJP, that too with Assembly elections in Rajasthan scheduled for later this year. “We were attacked by people from the BJP, RSS [Rashtriya Swayamsevak Sangh] and Bajrang Dal,” claimed Chandramohan Jatav. “The upper castes took their help and had the complete help of the police too.”

However, the BJP’s top leader in Hindaun, Dileep Gupta, said the incidents would not affect the party’s relations with the Dalit community. “What has happened is wrong. The houses of Bharosi Lal and Rajkumari should not have been burnt,” Gupta said. “However, Dalits will not be angry at the BJP and will still support us.”

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Swara Bhasker: Sharp objects has to be on the radar of every woman who is tired of being “nice”

The actress weighs in on what she loves about the show.

This article has been written by award-winning actor Swara Bhasker.

All women growing up in India, South Asia, or anywhere in the world frankly; will remember in some form or the other that gentle girlhood admonishing, “Nice girls don’t do that.” I kept recalling that gently reasoned reproach as I watched Sharp Objects (you can catch it on Hotstar Premium). Adapted from the author of Gone Girl, Gillian Flynn’s debut novel Sharp Objects has been directed by Jean-Marc Vallée, who has my heart since he gave us Big Little Lies. It stars the multiple-Oscar nominee Amy Adams, who delivers a searing performance as Camille Preaker; and Patricia Clarkson, who is magnetic as the dominating and dark Adora Crellin. As an actress myself, it felt great to watch a show driven by its female performers.

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There is a lot that impresses in Sharp Objects — the manner in which the storytelling gently unwraps a plot that is dark, disturbing and shocking, the stellar and crafty control that Jean-Marc Vallée exercises on his narrative, the cinematography that is fluid and still manages to suggest that something sinister lurks within Wind Gap, the editing which keeps this narrative languid yet sharp and consistently evokes a haunting sensation.

Sharp Objects is also liberating (apart from its positive performance on Bechdel parameters) as content — for female actors and for audiences in giving us female centric and female driven shows that do not bear the burden of providing either role-models or even uplifting messages. 

Instead, it presents a world where women are dangerous and dysfunctional but very real — a world where women are neither pure victims, nor pure aggressors. A world where they occupy the grey areas, complex and contradictory as agents in a power play, in which they control some reigns too.

But to me personally, and perhaps to many young women viewers across the world, what makes Sharp Objects particularly impactful, perhaps almost poignant, is the manner in which it unravels the whole idea, the culture, the entire psychology of that childhood admonishment “Nice girls don’t do that.” Sharp Objects explores the sinister and dark possibilities of what the corollary of that thinking could be.

“Nice girls don’t do that.”

“Who does?”

“Bad girls.”

“So I’m a bad girl.”

“You shouldn’t be a bad girl.”

“Why not?”

“Bad girls get in trouble.”

“What trouble? What happens to bad girls?”

“Bad things.”

“What bad things?”

“Very bad things.”

“How bad?”


“Like what?”


A point the show makes early on is that both the victims of the introductory brutal murders were not your typically nice girly-girls. Camille, the traumatised protagonist carrying a burden from her past was herself not a nice girl. Amma, her deceptive half-sister manipulates the nice girl act to defy her controlling mother. But perhaps the most incisive critique on the whole ‘Be a nice girl’ culture, in fact the whole ‘nice’ culture — nice folks, nice manners, nice homes, nice towns — comes in the form of Adora’s character and the manner in which beneath the whole veneer of nice, a whole town is complicit in damning secrets and not-so-nice acts. At one point early on in the show, Adora tells her firstborn Camille, with whom she has a strained relationship (to put it mildly), “I just want things to be nice with us but maybe I don’t know how..” Interestingly it is this very notion of ‘nice’ that becomes the most oppressive and deceptive experience of young Camille, and later Amma’s growing years.

This ‘Culture of Nice’ is in fact the pervasive ‘Culture of Silence’ that women all over the world, particularly in India, are all too familiar with. 

It takes different forms, but always towards the same goal — to silence the not-so-nice details of what the experiences; sometimes intimate experiences of women might be. This Culture of Silence is propagated from the child’s earliest experience of being parented by society in general. Amongst the values that girls receive in our early years — apart from those of being obedient, dutiful, respectful, homely — we also receive the twin headed Chimera in the form of shame and guilt.

“Have some shame!”

“Oh for shame!”




“Do not bring shame upon…”

Different phrases in different languages, but always with the same implication. Shameful things happen to girls who are not nice and that brings ‘shame’ on the family or everyone associated with the girl. And nice folks do not talk about these things. Nice folks go on as if nothing has happened.

It is this culture of silence that women across the world today, are calling out in many different ways. Whether it is the #MeToo movement or a show like Sharp Objects; or on a lighter and happier note, even a film like Veere Di Wedding punctures this culture of silence, quite simply by refusing to be silenced and saying the not-nice things, or depicting the so called ‘unspeakable’ things that could happen to girls. By talking about the unspeakable, you rob it of the power to shame you; you disallow the ‘Culture of Nice’ to erase your experience. You stand up for yourself and you build your own identity.

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The next time I hear someone say, “Nice girls don’t do that!”, I know what I’m going to say — I don’t give a shit about nice. I’m just a girl! And that’s okay!

Swara is a an award winning actor of the Hindi film industry. Her last few films, including Veere Di Wedding, Anaarkali of Aaraah and Nil Battey Sannata have earned her both critical and commercial success. Swara is an occasional writer of articles and opinion pieces. The occasions are frequent :).

Watch the trailer of Sharp Objects here:


This article was published by the Scroll marketing team with Swara Bhasker on behalf of Hotstar Premium and not by the Scroll editorial team.