A project documents the people that guard India’s flora and fauna. September 31 will mark a year since the “Ranger, Ranger” project started, based on a Pulitzer Travelling Fellowship that Sonali Prasad received.
These stories span the range from constipated rhinos to pilfered geckos, from the deserts of north-western India to the tropical jungles of the northeast.
Prasad spoke to thethirdpole.net about the project, the ideas behind it, and where it is headed.
How did this project come about?
I had finished my Masters at Columbia University and was working as an investigative reporter for them. Then I read a statistic in the International Rangers Federation newsletter that the mortality rate of Indian rangers was, in 2014, the highest in the world. I could guess why that was – such as a lack of resources, no visible public identity (for example park rangers in the US are lauded figures and well recognised, in India we don’t even know who they are) or a lack of training – but I wanted to explore this closely. It was for this idea that I received the fellowship.
How are you going about implementing it?
I wanted to travel through India’s green corridors, and I wanted the pieces to be witness accounts of the people living there. These people know how the land has changed, and the rangers and forest guards are often from communities that reside in these areas. They may not have taken detailed notes, but in hindsight they can see how the forests have been encroached upon, how things have changed, both due to climatic factors and human intervention.
What is the duration of the project?
The fellowship was awarded in 2016, but the project only started in August 2017. The duration is for 18 months, but we may try to extend that. There are many partnerships [Mukha Media has collaborated with Prasad in creating the Ranger, Ranger web magazine, and WWF-India is the partner that has helped set up an exhibition in Delhi’s Jor Bagh Metro station] where institutions or people have helped. I do not draw my salary from the fellowship, and rely on my writing from places like Washington Post or Earth Journalism Network. The focus is on logistics, getting the right photographers, who are largely people from the places I want to document. For example I have had photographers who cover anything from fashion to ice hockey work with me, and they bring their own sensibility to the work.
For a web-based magazine a visual identity is very important. It propels the story, brings the reader into the place.
Is the ranger area a male bastion?
You generally do not see that many women among rangers and forest guards, and the work – spending days and nights in the wilderness – is not conducive, given the lack of infrastructure and Indian social constraints. That said, there are many women entering the field. The story we did on Sukhpali, the first female guard to be recruited at the Desert National Park in 2013, is amazing. She raised her toddler with her in the DNP in a ‘jhumpa’ (traditional hut) with electricity provided by solar power, and nothing much in terms of resources. In Kohima, the four rangers we met were all women. These women are changing the narrative.
What have you found most satisfying, and the most challenging?
I love field reporting, and in this assignment I get to stay with the people I report with for long stretches of time. On the story with Sukhpali we stayed in the open desert along with her. This gives us a chance to live their lives, and to document their stories at a very human level. In terms of challenge, the issue was access. The rangers and guards are very anxious about how they will be portrayed. For that I needed to convince them that I was pursuing true journalism. I wouldn’t hide problems, but I was not there for hype. I have had no problems with sharing stories after publication. And the data is all over the place, so a lot of fact checking needed to be done. For this I was thankful for my experience in US newsrooms, which do intensive checks.
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