‘Gods, Guns and Missionaries’: A thorough study of how Hindu identity was shaped by colonialism
Fiction: Two Indian institutions are keen to produce silicon, but someone wants to spoil their plans
From Pune to Delhi, riverfront projects are all the rage. But evidence shows they harm rivers
‘The way a sari is worn is a living dictionary of India’s stories’: Cultural historian Malvika Singh
Donald Trump says $21 million from USAID went to ‘my friend PM Modi for voter turnout’ in India
The psychology of making a change to your life – and sticking with it
World Bank cancels funding for 4 waste-to-energy plants in Gujarat after residents object
Germany’s firewall against the far right has crumbled – the consequences are immeasurable
‘Wonderland of Words’: Shashi Tharoor’s ‘seriously funny’ book on the quirks of the English language
‘In the Light of Shiva’: HS Shivaprakash’s poetry from the last 50 years attests to his greatness
George Miller’s Oscar-winning Mad Max: Fury Road is on its way to becoming one of the most deconstructed movies of all time. “Every month there appears to be a new application of the action movie or video essay breaking down one of its pitch perfect visual elements,” says a report in IndieWire. In a new video essay from Fandor, find out how the color grading was done in Miller’s endlessly thrilling dysoptic road movie.
