‘Chikkamma Tours Pvt Ltd’: A cosy Bangalore murder mystery with a realistic portrayal of queer lives
All we are and all we aspire to be: C Premkumar on the appeal of his fan favourite ‘Meiyazhagan’
India’s food plate and palate have changed – but anxieties old and new persist
‘A Tamilian trapped among three Punjabis’: Subhash Ghai rewinds to the ‘Taal’ soundtrack
Rajdeep Sardesai on the changing patterns of elections news consumption, YouTube, and Dhruv Rathee
In Manipur relief camp that came under attack, a grieving Meitei family wants a passage out
Interview: How the 16th-century Basilica of Bom Jesus became an icon of Goan identity
Are Adivasi voters in Jharkhand swayed by the BJP’s infiltration narrative?
Why Adani’s Dharavi project is a talking point in Maharashtra polls – and residents are anxious
Sunday book pick: The horrifying effects of the failure of language in ‘A Cage in Search of a Bird’
George Miller’s Oscar-winning Mad Max: Fury Road is on its way to becoming one of the most deconstructed movies of all time. “Every month there appears to be a new application of the action movie or video essay breaking down one of its pitch perfect visual elements,” says a report in IndieWire. In a new video essay from Fandor, find out how the color grading was done in Miller’s endlessly thrilling dysoptic road movie.
