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India has long obsessed about preserving dying traditions – but this could mean stifling creativity
Aneesh Pradhan
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Listen: How the harmonium influenced the way Hindustani musicians chose their tonic note
Aneesh Pradhan
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Listen: When musicians turn their bodies into percussion instruments
Aneesh Pradhan
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Listen: Siddheshwari Devi sings a thumri based on raag Khamaj
Aneesh Pradhan
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Listen: Three maestros whose work will be the focus of ‘Interpretation Centres’ in Varanasi
Aneesh Pradhan
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Listen: When Amir Khan sings raag Marwa, time slows down
Aneesh Pradhan
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Listen: DV Paluskar and Ramkrishnbuwa Vaze explore the same vilambit composition in Mia ki Malhar
Aneesh Pradhan
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Listen: Indore gharana maestro Amir Khan’s explorations of time in raag Lalit
Aneesh Pradhan
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Who actually started Mumbai’s famous Swami Haridas music festival?
Aneesh Pradhan
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Why have music festivals stopped featuring discussions about music-making?
Aneesh Pradhan
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Do some Hindustani music festivals go overboard in their attempts to draw in the crowds?
Aneesh Pradhan
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Do festivals really benefit the Hindustani music scene? After decades of debate, opinion is divided
Aneesh Pradhan
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Listen: Jasraj and Ali Akbar Khan in a reimagined session at the Haridas Sammelan, 1962
Aneesh Pradhan
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Listen: Reimagining the performances at the 1962 Haridas Sammelan
Aneesh Pradhan
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Listen: Kumar Gandharva and other maestros at Mumbai’s Swami Haridas Sammelan in 1962
Aneesh Pradhan
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Re-created concerts: Shehnai maestro Bismillah Khan at Mumbai’s Swami Haridas Sammelan in 1962
Aneesh Pradhan
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Listen: Omkarnath Thakur sings raag Darbari Kanada as we revisit the 1962 Swami Haridas Sammelan
Aneesh Pradhan
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Listen: An imagined recreation of a women’s music conference in Calcutta in 1954
Aneesh Pradhan
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Listen: Sitarist Imrat Khan and other greats in a recreation of a concert in Kolkata from 1955
Aneesh Pradhan
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Listen: Kesarbai Kerkar and other maestros in a recreation of a Calcutta concert from 1954
Aneesh Pradhan