Indian new wave
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‘27 Down’ revisited: The magic and tragedy behind Awtar Kaul’s first and last movie
Nandini Ramnath
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Om Puri may be no more, but Indian New Wave cinema will always be relevant
Nirupama Kotru
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‘Every day was a party’: When a commune by the sea fed and housed film strugglers
Rani Day Burra
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‘Destroy all traces of red!’ Why ‘Hun Hunshi Hunshilal’ still matters
Mohit Patil