film review
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Film review: ‘Haraamkhor’ is more sloppy than shocking
Nandini Ramnath
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Film review: ‘Passengers’ is an enjoyable sci-fi yarn but a creepy romance
Aakash Karkare
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Film review: Brad Pitt and Marion Cotillard win the battle but lose the war in ‘Allied’
Nandini Ramnath
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Film review: ‘Assassin’s Creed’ is one of the better video game adaptations you could find
Aakash Karkare
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Film review: Yodelling animals ratchet up the noise in ‘Sing’
Aakash Karkare
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Film review: ‘Rogue One’ is a ‘Star Wars’ story we could do without
Aakash Karkare
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Film review: ‘La La Land’ is a rip-roaring tribute to movie musicals that hits all the high notes
Aakash Karkare
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Film review: Pass us the cup of whatever was being served at ‘Office Christmas Party’
Udita Jhunjhunwala
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Film review: ‘Kahaani 2’ is an almost-convincing yarn of crime and punishment
Nandini Ramnath
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Film review: ‘Moana’ is Disney with a difference
Aakash Karkare
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First-contact film ‘Arrival’ finds new way to explore the strangeness of aliens
Emily Alder, The Conversation
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Film review: ‘Moh Maya Money’ is an unwieldy morality tale of black money and black hearts
Nandini Ramnath
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Film review: JK Rowling casts the right spell in ‘Fantastic Beasts and Where to Find Them’
Aakash Karkare
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Film review: ‘Force 2’ punches its way past its flimsy plot
Nandini Ramnath
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Film review: ‘Rock On 2’ is an off-key sequel
Nandini Ramnath
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Film review: ‘Dongri Ka Raja’ has more holes than a bullet-ridden corpse
Nandini Ramnath
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Film review: ‘Billy Lynn’s Long Halftime Walk’ is an uneven satire about pop patriotism
Nandini Ramnath
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Film review: ‘Doctor Strange’ needed to be stranger and weirder
Aakash Karkare
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Film review: ‘Mr Church’ locks up Eddie Murphy and throws away the key
Nandini Ramnath
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Film review: ‘Mahayoddha Rama’ is a boys-own version of the Ramayana epic
Nandini Ramnath