Interview
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International Translation Day: Listen to ten translators around the world talk about their craft
Scroll Staff
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‘An act of dancing in chains’: Ranjit Hoskote on the ‘luxury of interpretation’ in translation
Tansy Troy
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‘If I was a believer, I’d talk like him’: Why MG Vassanji wrote a novel about physicist Abdus Salam
Mandira Nayar
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‘Syeda’s story is also Delhi’s story’: Why Neha Dixit wrote about an ‘unknown’ working-class woman
Yamini Krishnan
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‘There are tales of hope even in the face of relentless destruction’: Wildlife writer Stephen Alter
Amrita Talwar
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‘The novels I write are pretty much an excuse to indulge my delight in language’: Rohit Manchanda
Mahika Dhar
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‘I’m a product of Indian socialism’: Theatre actor-director MK Raina talks about his life and memoir
Sujata Prasad
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‘I have spent at least a part of my day writing since the age of seven’: Anita Desai
Sayari Debnath
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‘No poem or story can exist without its spine of the truths of the world’: Poet Rochelle Potkar
Jayanth Kodkani
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‘I wanted to know if feminist politics was all but lost’: Academic Srila Roy on her new book
Anjali Chauhan
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‘Queer, for me, is anything that deviates from normative desire’: Saikat Majumdar on his fiction
Hoshang Merchant
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‘I believe in neither government reports nor happy literature’: A writer-translator conversation
Sayari Debnath
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International Booker Prize interview: How Kira Josefsson translated ‘The Details’
Harshaneeyam
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‘It all starts with knowing your text’: How prizewinning designer Bhavi Mehta makes book covers
Sayari Debnath
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International Booker Prize interview: How Annie McDermott translated ‘Not a River’
Harshaneeyam
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‘Knowing we’re mortal gives us purpose’: Nobel laureate Venki Ramakrishnan on his new book
Scroll Staff
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International Booker Prize interview: How Johnny Lorenz translated ‘Crooked Plow’
Harshaneeyam
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What Sudhir Kakar (1938-2024) had to say on violence, secularism, and religion in India
Manasi Kumar
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International Booker interview: How Sarah Timmer Harvey translated ‘What I’d Rather Not Think About’
Harshaneeyam
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‘I stopped at an essential ambiguity’: How Sharmistha Mohanty wrote ‘Book One’ thirty years ago
Sayari Debnath