High water

Neglecting natural buffers, Kerala is building walls to keep out the sea

Artificial barriers along Kerala’s vulnerable shore are insufficient to protect the thickly populated coastal areas.

The coast of Kerala, where rain-laden clouds of the southwest monsoon make landfall, is losing its natural edge. Granite blocks and concrete walls now bind much of the sandy beaches, where generations of children played at the edge of the water.

Artificial structures along the Kerala coast cover 301.3 km, which is more than half of the coastline length of 576.1 km in the state. The length of the coastline with some form of erosion (low, medium or high) along with artificial structure measures 370.9 km. This is a little more than two-thirds of the length of Kerala’s coastline.

To complicate matters, the coastal region of Kerala also happens to be among the most populous parts of the country. According to the shoreline change assessment report for Kerala prepared by the National Centre for Sustainable Coastal Management for the federal environment ministry, the state’s coast had an average population density of 2,022 persons per sq km, according to 2001 census data.

This was even then much higher than Kerala’s average population density of 859 persons per sq. km, which in turn is higher than the national average of 382 persons per sq km, according to the 2011 Census.

With significant coastal erosion and high population density, artificial structures continue to be constructed along the coast in Kerala with the stated objectives of protecting lives and property. According to the shoreline change statistics prepared by National Centre for Sustainable Coastal Management for the country, though Gujarat has the longest-eroding coastline (928.4 km out of 2,021.3 km), artificial coasts have been built only over 6.9 km. Even in West Bengal, which has 78.5% of its coast under erosion, artificial structures have been constructed only along 12.1 km.

Limited effectiveness

However, the effectiveness of such walls and similar structures to deal with the adverse impacts of climate change is limited when compared with natural protection such as mangroves and sand dunes. Even while the artificial structures are increasing along the coast, the naturally protective systems are facing increasing pressures to their existence.

Kerala’s coast is vulnerable to sea level rise of 1.75 mm per year, according to estimates by the National Institute of Oceanography. The impact of sea level rise in some parts of Kerala can be significant because of the inundation of the estuarine network along the coast, for instance, in and around the commercial city of Kochi.

The estuarine mouth areas are also highly prone to erosion. Kollam and Ernakulam are the districts with the highest length of artificial coast at 79.92% and 79.74% respectively. These are districts with large backwater systems – Vembanad and Ashtamudi.

“In addition to the sea level rise, it is the increasing intensity of the storm surges that is going to be important for the Indian coast,” R Ramesh, director of National Centre for Sustainable Coastal Management, told indiaclimatedialogue.net

Boost natural protection

The answer, according to Ramesh, is to conserve and protect the natural protection systems such as mangroves, sand dunes, mud flats, sea grass beds and coral reefs. National Centre for Sustainable Coastal Management has mapped the ecologically sensitive areas all along the country’s coasts and submitted to state and national governments for incorporation into the coastal zone management plans as areas that should not be infringed for development.

“Both during the Odisha Super Cyclone of 1999 and the Asian Tsunami of 2004, mangroves have proved to have protected lives and property,” V Selvam, coastal ecologist and executive director of the MS Swaminathan Research Foundation, told indiaclimatedialogue.net

In a communication published in Science journal, Selvam and other international researchers showed how villages protected by mangroves and other coastal vegetation in Tamil Nadu survived the impact of the 2004 tsunami better than those that did not have the same protection.

According to Selvam, mangroves also provide protection against sea level rise because the soil platform under the mangroves plants continues to rise in height. The leaves from the mangrove plants fall into silt trapped from the water, and together the platform continues to rise. This can keep pace with the projected sea level rise and prevent inundation.

Emerging understanding

However, a detailed understanding of how the impacts of climate change will impact the Indian coasts is still emerging. Recently, National Centre for Sustainable Coastal Management completed an exercise for the Ministry of Environment, Forests and Climate Change to map the climate change vulnerability along the coast and also the high tide line. This project was done in partnership with the Survey of India.

“We wanted to identify the areas that are vulnerable if there is a storm surge or a cyclone,” Ramesh said. “We worked out a methodology to find out how much of inundation can happen if there is a surge, say 1 metre or 0.5 metre. The increase in the water level could be due to surges or due to sea level rise. It is important for the governments to identify the low-lying areas and have an action plan on how to protect them in the future.”

The idea was to mark out a hazard line for the coast. There were two components for this. One was the flood line – till what point the sea could come if there was a flood. The second was to understand the erosion along the coast.

For both, it was necessary to have precise information about the elevation profile along the coast. Low-level aerial photography provided high-resolution data. Erosion mapping was done on top of this mapping.

Erosion accretion

For the erosion-accretion maps across the country, National Centre for Sustainable Coastal Management used colour codes so that policymakers could identify in which stretches of the coast the sediments were being washed away or being built up at a low, medium or high rate. The maps also identified the stretches that have artificial structures along them.

“Coasts have a natural dynamic, with erosion and accretion happening at the same place,” Ramesh observed. In summer months, accretion happens because the low energy waves deposit sediments. During the monsoon period storm waves take out these sediments. Sea walls and hard structures usually move erosion to down-drift areas.”

In this process of mapping, the high tide line was also mapped along the country’s coast, so that it could be used as baseline for future coastal zone planning and management. The maps have been handed over the national and the state governments in the coastal states for ground validation and subsequent notification.

The Kerala government has tasked the Thiruvananthapuram-based National Centre for Earth Science Studies to fine-tune these maps along with local-level information inputs, according to an official source. The government is of the opinion that blending local understanding about the coasts will help in effective zoning and management.

Local scenario

At the local level, the sea walls are considered both an asset and a liability. For instance, in Chettuva village of Thrissur district, there is a long sea wall along the coast. PK Basheer, member of the Kadappuram Panchayat, remembers that during his childhood, the sea was further away from where it currently is.

Though the sea wall has helped prevented the sea from coming in further, it breaches often and does not provide a permanent solution. On the other hand, while the tidal currents have been taking away sand from the beach, it has been building a sand bank along the mouth of the Chettuva river, endangering the fishing boats as they come into the harbour.

Ravi Panakkal, an environment activist, finds the sea wall an obstruction to the conservation of turtles along the coast. “Even though much public money is spent to construct this wall, it does not offer protection against storm surges, as the sea has been dislodging the stones at many locations,” he told indiaclimatedialogue.net

K. Venu, a local journalist at Chavakkad, says the sea walls have been failing because they are constructed hastily, have faulty designs and are sited at wrongly identified locations.

Ramesh of National Centre for Sustainable Coastal Management feels that a “sediment cell approach” has to be taken to understand the erosion-accretion dynamics along the coast. Sediments cells are that part of the sea that is enclosed by two headlands (the part of the land jutting into the sea). The flow of sediments happens only within a sediment cell, so thus once the dynamics of this movement is understood then siting and designing interventions such as artificial structures, if required, becomes more scientific.

“We have identified 27 primary sediment cells and 54 sub cells for the entire length of the Indian coastline,” said Ramesh. “We would like to use this as a boundary for the integrated coastal zone management plans.”

It may not be possible for Kerala to abandon the sea walls already built. However, with a holistic and scientific approach, further hardening of the coast with sea walls can be prevented. This will help Kerala’s coast to find its own natural resilience to climate change and eroding seas.

This article first appeared on India Climate Dialogue.

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Swara Bhasker: Sharp objects has to be on the radar of every woman who is tired of being “nice”

The actress weighs in on what she loves about the show.

This article has been written by award-winning actor Swara Bhasker.

All women growing up in India, South Asia, or anywhere in the world frankly; will remember in some form or the other that gentle girlhood admonishing, “Nice girls don’t do that.” I kept recalling that gently reasoned reproach as I watched Sharp Objects (you can catch it on Hotstar Premium). Adapted from the author of Gone Girl, Gillian Flynn’s debut novel Sharp Objects has been directed by Jean-Marc Vallée, who has my heart since he gave us Big Little Lies. It stars the multiple-Oscar nominee Amy Adams, who delivers a searing performance as Camille Preaker; and Patricia Clarkson, who is magnetic as the dominating and dark Adora Crellin. As an actress myself, it felt great to watch a show driven by its female performers.

The series is woven around a troubled, alcohol-dependent, self-harming, female journalist Camille (single and in her thirties incidentally) who returns to the small town of her birth and childhood, Wind Gap, Missouri, to report on two similarly gruesome murders of teenage girls. While the series is a murder mystery, it equally delves into the psychology, not just of the principal characters, but also of the town, and thus a culture as a whole.

There is a lot that impresses in Sharp Objects — the manner in which the storytelling gently unwraps a plot that is dark, disturbing and shocking, the stellar and crafty control that Jean-Marc Vallée exercises on his narrative, the cinematography that is fluid and still manages to suggest that something sinister lurks within Wind Gap, the editing which keeps this narrative languid yet sharp and consistently evokes a haunting sensation.

Sharp Objects is also liberating (apart from its positive performance on Bechdel parameters) as content — for female actors and for audiences in giving us female centric and female driven shows that do not bear the burden of providing either role-models or even uplifting messages. 

Instead, it presents a world where women are dangerous and dysfunctional but very real — a world where women are neither pure victims, nor pure aggressors. A world where they occupy the grey areas, complex and contradictory as agents in a power play, in which they control some reigns too.

But to me personally, and perhaps to many young women viewers across the world, what makes Sharp Objects particularly impactful, perhaps almost poignant, is the manner in which it unravels the whole idea, the culture, the entire psychology of that childhood admonishment “Nice girls don’t do that.” Sharp Objects explores the sinister and dark possibilities of what the corollary of that thinking could be.

“Nice girls don’t do that.”

“Who does?”

“Bad girls.”

“So I’m a bad girl.”

“You shouldn’t be a bad girl.”

“Why not?”

“Bad girls get in trouble.”

“What trouble? What happens to bad girls?”

“Bad things.”

“What bad things?”

“Very bad things.”

“How bad?”

“Terrible!!!”

“Like what?”

“Like….”

A point the show makes early on is that both the victims of the introductory brutal murders were not your typically nice girly-girls. Camille, the traumatised protagonist carrying a burden from her past was herself not a nice girl. Amma, her deceptive half-sister manipulates the nice girl act to defy her controlling mother. But perhaps the most incisive critique on the whole ‘Be a nice girl’ culture, in fact the whole ‘nice’ culture — nice folks, nice manners, nice homes, nice towns — comes in the form of Adora’s character and the manner in which beneath the whole veneer of nice, a whole town is complicit in damning secrets and not-so-nice acts. At one point early on in the show, Adora tells her firstborn Camille, with whom she has a strained relationship (to put it mildly), “I just want things to be nice with us but maybe I don’t know how..” Interestingly it is this very notion of ‘nice’ that becomes the most oppressive and deceptive experience of young Camille, and later Amma’s growing years.

This ‘Culture of Nice’ is in fact the pervasive ‘Culture of Silence’ that women all over the world, particularly in India, are all too familiar with. 

It takes different forms, but always towards the same goal — to silence the not-so-nice details of what the experiences; sometimes intimate experiences of women might be. This Culture of Silence is propagated from the child’s earliest experience of being parented by society in general. Amongst the values that girls receive in our early years — apart from those of being obedient, dutiful, respectful, homely — we also receive the twin headed Chimera in the form of shame and guilt.

“Have some shame!”

“Oh for shame!”

“Shameless!”

“Shameful!”

“Ashamed.”

“Do not bring shame upon…”

Different phrases in different languages, but always with the same implication. Shameful things happen to girls who are not nice and that brings ‘shame’ on the family or everyone associated with the girl. And nice folks do not talk about these things. Nice folks go on as if nothing has happened.

It is this culture of silence that women across the world today, are calling out in many different ways. Whether it is the #MeToo movement or a show like Sharp Objects; or on a lighter and happier note, even a film like Veere Di Wedding punctures this culture of silence, quite simply by refusing to be silenced and saying the not-nice things, or depicting the so called ‘unspeakable’ things that could happen to girls. By talking about the unspeakable, you rob it of the power to shame you; you disallow the ‘Culture of Nice’ to erase your experience. You stand up for yourself and you build your own identity.

And this to me is the most liberating aspect of being an actor, and even just a girl at a time when shows like Sharp Objects and Big Little Lies (another great show on Hotstar Premium), and films like Veere Di Wedding and Anaarkali Of Aarah are being made.

The next time I hear someone say, “Nice girls don’t do that!”, I know what I’m going to say — I don’t give a shit about nice. I’m just a girl! And that’s okay!

Swara is a an award winning actor of the Hindi film industry. Her last few films, including Veere Di Wedding, Anaarkali of Aaraah and Nil Battey Sannata have earned her both critical and commercial success. Swara is an occasional writer of articles and opinion pieces. The occasions are frequent :).

Watch the trailer of Sharp Objects here:

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This article was published by the Scroll marketing team with Swara Bhasker on behalf of Hotstar Premium and not by the Scroll editorial team.