Kasganj residents wanted to finish flag hoisting, VHP, ABVP wanted to be allowed through immediately

The standoff over right of way is believed to have sparked the violence in the Uttar Pradesh district on Republic Day.

Internet services have been suspended till 10 pm on Sunday in certain areas of western Uttar Pradesh, which have been on tenterhooks since communal clashes broke out in the city of Kasganj on Friday, PTI reported.

Protestors set on fire three vehicles in two separate incidents in the villages of Nadrai and Chungi in Kasganj district late on Saturday. Earlier in the day, the police had arrested 49 people in connection with acts of arson allegedly committed by people returning from the cremation of a man killed in Friday’s clashes.

“We are patrolling the area and trying to avoid such incidents,” Aligarh Division Commissioner SC Sharma told ANI.

On Friday, unidentified miscreants had pelted stones at a “Tiranga Yatra” motorcycle rally of workers of the Vishwa Hindu Parishad and Akhil Bhartiya Vidyarthi Parishad. A youth identified as Chandan Gupta died in the clashes that ensued. Several people were injured and dozens of vehicles were damaged.

The police told The Indian Express that residents of the Muslim-dominated locality of Baddu Nagar in Kasganj had arranged chairs on the road and were getting ready to unfurl the tricolour on Republic Day when the workers of the Hindu outfits reached the place. They allegedly demanded that the chairs be removed to make way for their bikes.

“They were shouting slogans, we requested them to let our celebrations finish first,” said Mohammed Munazir Rafi, a resident of Baddu Nagar. “But they were adamant and did not leave.”

The Indian Express reported that in a video, which purportedly shows the standoff, a group of around 60 people carrying the national flag and saffron flags can be heard saying: “The bikes will pass through here.”

An argument began between the two groups after they refused to leave. “We asked them to join the celebration,” said Rafi. “But many people had gathered and soon, there was some pushing and shoving. Then they left their bikes here and went away. I called the Kasganj Police Station and apprised them of the situation when they arrived 25 minutes later.”

The activists of the Hindu outfits then took a detour to reach another Muslim-dominated locality, whose residents thought they had arrived to retaliate.“This triggered the shooting incident in which a 28-year-old man was killed,” Kasganj Additional SP Pavitra Mohan Tripathi told the newspaper.

‘Attacked with acid bottles’

Bharatiya Janata Party MP Rajveer Singh claimed that Friday’s attack was a planned assault on the VHP and ABVP workers, The Times of India reported. “The youths were attacked with acid bottles, stones were pelted and shots were fired at them,” Singh alleged. “Every year, scores of youths in Kasganj city take out a rally on the occasion of Republic Day, but this time, they were stopped and attacked.”

The legislator also alleged that the attackers had shouted “Pakistan Zindabad” before launching the assault on the activists of the Hindu outfits. In a purported video of Friday’s bike rally, someone is also heard saying that those who want to stay in India have to say “Vande Mataram”.

Shushil Gupta, the father of Chandan Gupta who died in Friday’s unrest, alleged that his son was shot dead for refusing to say “Pakistan Zindabad”.

“My son was stopped and asked to say ‘Pakistan Zindabad, Hindustan Murdabad,’” Gupta told Navbharat Times. “When Chandan refused, he was shot dead.”

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Swara Bhasker: Sharp objects has to be on the radar of every woman who is tired of being “nice”

The actress weighs in on what she loves about the show.

This article has been written by award-winning actor Swara Bhasker.

All women growing up in India, South Asia, or anywhere in the world frankly; will remember in some form or the other that gentle girlhood admonishing, “Nice girls don’t do that.” I kept recalling that gently reasoned reproach as I watched Sharp Objects (you can catch it on Hotstar Premium). Adapted from the author of Gone Girl, Gillian Flynn’s debut novel Sharp Objects has been directed by Jean-Marc Vallée, who has my heart since he gave us Big Little Lies. It stars the multiple-Oscar nominee Amy Adams, who delivers a searing performance as Camille Preaker; and Patricia Clarkson, who is magnetic as the dominating and dark Adora Crellin. As an actress myself, it felt great to watch a show driven by its female performers.

The series is woven around a troubled, alcohol-dependent, self-harming, female journalist Camille (single and in her thirties incidentally) who returns to the small town of her birth and childhood, Wind Gap, Missouri, to report on two similarly gruesome murders of teenage girls. While the series is a murder mystery, it equally delves into the psychology, not just of the principal characters, but also of the town, and thus a culture as a whole.

There is a lot that impresses in Sharp Objects — the manner in which the storytelling gently unwraps a plot that is dark, disturbing and shocking, the stellar and crafty control that Jean-Marc Vallée exercises on his narrative, the cinematography that is fluid and still manages to suggest that something sinister lurks within Wind Gap, the editing which keeps this narrative languid yet sharp and consistently evokes a haunting sensation.

Sharp Objects is also liberating (apart from its positive performance on Bechdel parameters) as content — for female actors and for audiences in giving us female centric and female driven shows that do not bear the burden of providing either role-models or even uplifting messages. 

Instead, it presents a world where women are dangerous and dysfunctional but very real — a world where women are neither pure victims, nor pure aggressors. A world where they occupy the grey areas, complex and contradictory as agents in a power play, in which they control some reigns too.

But to me personally, and perhaps to many young women viewers across the world, what makes Sharp Objects particularly impactful, perhaps almost poignant, is the manner in which it unravels the whole idea, the culture, the entire psychology of that childhood admonishment “Nice girls don’t do that.” Sharp Objects explores the sinister and dark possibilities of what the corollary of that thinking could be.

“Nice girls don’t do that.”

“Who does?”

“Bad girls.”

“So I’m a bad girl.”

“You shouldn’t be a bad girl.”

“Why not?”

“Bad girls get in trouble.”

“What trouble? What happens to bad girls?”

“Bad things.”

“What bad things?”

“Very bad things.”

“How bad?”


“Like what?”


A point the show makes early on is that both the victims of the introductory brutal murders were not your typically nice girly-girls. Camille, the traumatised protagonist carrying a burden from her past was herself not a nice girl. Amma, her deceptive half-sister manipulates the nice girl act to defy her controlling mother. But perhaps the most incisive critique on the whole ‘Be a nice girl’ culture, in fact the whole ‘nice’ culture — nice folks, nice manners, nice homes, nice towns — comes in the form of Adora’s character and the manner in which beneath the whole veneer of nice, a whole town is complicit in damning secrets and not-so-nice acts. At one point early on in the show, Adora tells her firstborn Camille, with whom she has a strained relationship (to put it mildly), “I just want things to be nice with us but maybe I don’t know how..” Interestingly it is this very notion of ‘nice’ that becomes the most oppressive and deceptive experience of young Camille, and later Amma’s growing years.

This ‘Culture of Nice’ is in fact the pervasive ‘Culture of Silence’ that women all over the world, particularly in India, are all too familiar with. 

It takes different forms, but always towards the same goal — to silence the not-so-nice details of what the experiences; sometimes intimate experiences of women might be. This Culture of Silence is propagated from the child’s earliest experience of being parented by society in general. Amongst the values that girls receive in our early years — apart from those of being obedient, dutiful, respectful, homely — we also receive the twin headed Chimera in the form of shame and guilt.

“Have some shame!”

“Oh for shame!”




“Do not bring shame upon…”

Different phrases in different languages, but always with the same implication. Shameful things happen to girls who are not nice and that brings ‘shame’ on the family or everyone associated with the girl. And nice folks do not talk about these things. Nice folks go on as if nothing has happened.

It is this culture of silence that women across the world today, are calling out in many different ways. Whether it is the #MeToo movement or a show like Sharp Objects; or on a lighter and happier note, even a film like Veere Di Wedding punctures this culture of silence, quite simply by refusing to be silenced and saying the not-nice things, or depicting the so called ‘unspeakable’ things that could happen to girls. By talking about the unspeakable, you rob it of the power to shame you; you disallow the ‘Culture of Nice’ to erase your experience. You stand up for yourself and you build your own identity.

And this to me is the most liberating aspect of being an actor, and even just a girl at a time when shows like Sharp Objects and Big Little Lies (another great show on Hotstar Premium), and films like Veere Di Wedding and Anaarkali Of Aarah are being made.

The next time I hear someone say, “Nice girls don’t do that!”, I know what I’m going to say — I don’t give a shit about nice. I’m just a girl! And that’s okay!

Swara is a an award winning actor of the Hindi film industry. Her last few films, including Veere Di Wedding, Anaarkali of Aaraah and Nil Battey Sannata have earned her both critical and commercial success. Swara is an occasional writer of articles and opinion pieces. The occasions are frequent :).

Watch the trailer of Sharp Objects here:


This article was published by the Scroll marketing team with Swara Bhasker on behalf of Hotstar Premium and not by the Scroll editorial team.