state news

Delhi chief secretary claims two AAP MLAs assaulted him at Arvind Kejriwal’s residence

The Chief Minister’s Office denied the allegations.

Delhi Chief Secretary Anshu Prakash on Tuesday registered a complaint with Lieutenant Governor Anil Baijal against two ruling Aam Aadmi Party MLAs for allegedly assaulting him. Prakash accused Ajay Dutt and Prakash Jharwal of manhandling him at Chief Minister Arvind Kejriwal’s residence on Monday evening, reported News18.

The Chief Minister’s Office said such an incident never took place. “Delhi chief minister’s office strongly denies allegations by the chief secretary,” read a statement. “There was no incident of assault or attempted assault by any AAP MLAs.”

AAP leader Atishi Marlena said Prakash’s allegations were absurd and claimed he was acting on the Bharatiya Janata Party’s instructions, reported News18. “The BJP has stooped very low in disrupting governance in Delhi through the lieutenant governor and officers,” said Marlena. “If the chief secretary can make such wild allegations, one can imagine the kind of obstacles that are being created in AAP government’s work by the BJP through the officers.”

The party leader added that the chief secretary had refused to answer the MLAs about how 2.5 lakh families were allegedly not given rations in January because of faulty implementation of Aadhaar. “The chief secretary refused to answer questions saying that he was answerable only to the lieutenant governor and not to the MLAs and the chief minister. He even used bad language against some MLAs and left without answering any questions,” said Marlena.

The Home Ministry has sought a report from the lieutenant governor on the incident. Prakash met Home Minister Rajnath Singh around 3 pm.

Officials protest

The Delhi Administrative Subordinate Services has threatened to go on strike if those at fault are not arrested. “We have urged the lieutenant governor to take legal action against those responsible,” DN Singh, president of Delhi Administrative Subordinate Services, told ANI. “This is like a constitutional crisis, never seen such a thing happen in the past many years.”

Condemning the incident, the IAS Officers’ Association, Delhi, said, “The appalling and shocking physical assault meted out to the head of the administration of Delhi, in the form of blows on the head, amounting to threat to life and physical safety, is deplorable.”

The association urged the governor and the Centre to act against the perpetrators, and said the “incident amounts to functional crisis and breakdown of governance”. Though officers will continue to work “in public interest”, they will not work beyond the office hours or attend meetings outside the office till the incident is resolved, they added.

BJP demands Kejriwal’s resignation

Delhi Bharatiya Janata Party leader and MLA OP Sharma said the chief secretary should file an official complaint. “He should go to the Delhi Police and file an FIR against the MLAs,” said Sharma. “This is absolutely unacceptable in a democracy.”

BJP spokesperson Sambit Patra said the incident showed that a constitutional crisis looms over Delhi. “AAP and anarchy have become synonymous. It has no relations with Constitution,” he said. “Such CM [chief minister] has no moral responsibility to stay on the post. He must resign immediately.”

Delhi Congress Vice President Sharmistha Mukherjee demanded a thorough inquiry into the incident. “If the chief secretary’s complaint is found to be true, the MLAs should receive tough punishment,” Mukherjee added.

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Swara Bhasker: Sharp objects has to be on the radar of every woman who is tired of being “nice”

The actress weighs in on what she loves about the show.

This article has been written by award-winning actor Swara Bhasker.

All women growing up in India, South Asia, or anywhere in the world frankly; will remember in some form or the other that gentle girlhood admonishing, “Nice girls don’t do that.” I kept recalling that gently reasoned reproach as I watched Sharp Objects (you can catch it on Hotstar Premium). Adapted from the author of Gone Girl, Gillian Flynn’s debut novel Sharp Objects has been directed by Jean-Marc Vallée, who has my heart since he gave us Big Little Lies. It stars the multiple-Oscar nominee Amy Adams, who delivers a searing performance as Camille Preaker; and Patricia Clarkson, who is magnetic as the dominating and dark Adora Crellin. As an actress myself, it felt great to watch a show driven by its female performers.

The series is woven around a troubled, alcohol-dependent, self-harming, female journalist Camille (single and in her thirties incidentally) who returns to the small town of her birth and childhood, Wind Gap, Missouri, to report on two similarly gruesome murders of teenage girls. While the series is a murder mystery, it equally delves into the psychology, not just of the principal characters, but also of the town, and thus a culture as a whole.

There is a lot that impresses in Sharp Objects — the manner in which the storytelling gently unwraps a plot that is dark, disturbing and shocking, the stellar and crafty control that Jean-Marc Vallée exercises on his narrative, the cinematography that is fluid and still manages to suggest that something sinister lurks within Wind Gap, the editing which keeps this narrative languid yet sharp and consistently evokes a haunting sensation.

Sharp Objects is also liberating (apart from its positive performance on Bechdel parameters) as content — for female actors and for audiences in giving us female centric and female driven shows that do not bear the burden of providing either role-models or even uplifting messages. 

Instead, it presents a world where women are dangerous and dysfunctional but very real — a world where women are neither pure victims, nor pure aggressors. A world where they occupy the grey areas, complex and contradictory as agents in a power play, in which they control some reigns too.

But to me personally, and perhaps to many young women viewers across the world, what makes Sharp Objects particularly impactful, perhaps almost poignant, is the manner in which it unravels the whole idea, the culture, the entire psychology of that childhood admonishment “Nice girls don’t do that.” Sharp Objects explores the sinister and dark possibilities of what the corollary of that thinking could be.

“Nice girls don’t do that.”

“Who does?”

“Bad girls.”

“So I’m a bad girl.”

“You shouldn’t be a bad girl.”

“Why not?”

“Bad girls get in trouble.”

“What trouble? What happens to bad girls?”

“Bad things.”

“What bad things?”

“Very bad things.”

“How bad?”

“Terrible!!!”

“Like what?”

“Like….”

A point the show makes early on is that both the victims of the introductory brutal murders were not your typically nice girly-girls. Camille, the traumatised protagonist carrying a burden from her past was herself not a nice girl. Amma, her deceptive half-sister manipulates the nice girl act to defy her controlling mother. But perhaps the most incisive critique on the whole ‘Be a nice girl’ culture, in fact the whole ‘nice’ culture — nice folks, nice manners, nice homes, nice towns — comes in the form of Adora’s character and the manner in which beneath the whole veneer of nice, a whole town is complicit in damning secrets and not-so-nice acts. At one point early on in the show, Adora tells her firstborn Camille, with whom she has a strained relationship (to put it mildly), “I just want things to be nice with us but maybe I don’t know how..” Interestingly it is this very notion of ‘nice’ that becomes the most oppressive and deceptive experience of young Camille, and later Amma’s growing years.

This ‘Culture of Nice’ is in fact the pervasive ‘Culture of Silence’ that women all over the world, particularly in India, are all too familiar with. 

It takes different forms, but always towards the same goal — to silence the not-so-nice details of what the experiences; sometimes intimate experiences of women might be. This Culture of Silence is propagated from the child’s earliest experience of being parented by society in general. Amongst the values that girls receive in our early years — apart from those of being obedient, dutiful, respectful, homely — we also receive the twin headed Chimera in the form of shame and guilt.

“Have some shame!”

“Oh for shame!”

“Shameless!”

“Shameful!”

“Ashamed.”

“Do not bring shame upon…”

Different phrases in different languages, but always with the same implication. Shameful things happen to girls who are not nice and that brings ‘shame’ on the family or everyone associated with the girl. And nice folks do not talk about these things. Nice folks go on as if nothing has happened.

It is this culture of silence that women across the world today, are calling out in many different ways. Whether it is the #MeToo movement or a show like Sharp Objects; or on a lighter and happier note, even a film like Veere Di Wedding punctures this culture of silence, quite simply by refusing to be silenced and saying the not-nice things, or depicting the so called ‘unspeakable’ things that could happen to girls. By talking about the unspeakable, you rob it of the power to shame you; you disallow the ‘Culture of Nice’ to erase your experience. You stand up for yourself and you build your own identity.

And this to me is the most liberating aspect of being an actor, and even just a girl at a time when shows like Sharp Objects and Big Little Lies (another great show on Hotstar Premium), and films like Veere Di Wedding and Anaarkali Of Aarah are being made.

The next time I hear someone say, “Nice girls don’t do that!”, I know what I’m going to say — I don’t give a shit about nice. I’m just a girl! And that’s okay!

Swara is a an award winning actor of the Hindi film industry. Her last few films, including Veere Di Wedding, Anaarkali of Aaraah and Nil Battey Sannata have earned her both critical and commercial success. Swara is an occasional writer of articles and opinion pieces. The occasions are frequent :).

Watch the trailer of Sharp Objects here:

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This article was published by the Scroll marketing team with Swara Bhasker on behalf of Hotstar Premium and not by the Scroll editorial team.