Margaret Atwood believes a Star Wars movie inspired the terrorists behind the 9/11 bombings, the author told Variety in an interview. The acclaimed author was speaking of a 2000 opera based on her dystopian drama The Handmaid’s Tale, which began with footage of various structures being blown up, including the World Trade Centre’s Twin Towers, the novelist said. Producers of the show removed the footage after terrorists attacked the World Trade Centre a year later on September 11, “because it was no longer in the future”, said Atwood.
“They didn’t get that idea from my opera, don’t worry,” Atwood continued. “They got the idea from Star Wars.” When asked if she really believed that, Atwood said: “Remember the first one? Two guys fly a plane in the middle of something and blow that up? The only difference is, in Star Wars, they get away,” she said.
“Right after 9/11, they hired a bunch of Hollywood screenwriters to tell them how the story might go next,” Atwood added. “Sci-fi writers are very good at this stuff, anticipating future events. They don’t all come true, but there are interesting ‘what if’ scenarios.”
According to The Independent, Atwood appears to be referencing the first Star Wars film of 1977 (now known as Star Wars: Episode IV – A New Hope), where protagonist Luke Skywalker explodes the Death Star with the help of Han Solo. The publication added that the parallels between this scene and the 9/11 attacks “appear limited” as Skywalker used torpedoes to explode the Death Star, rather than fly his aircraft into it.
A special shade of blue inspired these musicians to create a musical piece
Thanks to an interesting neurological condition called synesthesia.
On certain forums on the Internet, heated discussions revolve around the colour of number 9 or the sound of strawberry cupcake. And most forum members mount a passionate defence of their points of view on these topics. These posts provide insight into a lesser known, but well-documented, sensory condition called synesthesia - simply described as the cross wiring of the senses.
Synesthetes can ‘see’ music, ‘taste’ paintings, ‘hear’ emotions...and experience other sensory combinations based on their type. If this seems confusing, just pay some attention to our everyday language. It’s riddled with synesthesia-like metaphors - ‘to go green with envy’, ‘to leave a bad taste in one’s mouth’, ‘loud colours’, ‘sweet smells’ and so on.
Synesthesia is a deeply individual experience for those who have it and differs from person to person. About 80 different types of synesthesia have been discovered so far. Some synesthetes even have multiple types, making their inner experience far richer than most can imagine.
Most synesthetes vehemently maintain that they don’t consider their synesthesia to be problem that needs to be fixed. Indeed, synesthesia isn’t classified as a disorder, but only a neurological condition - one that scientists say may even confer cognitive benefits, chief among them being a heightened sense of creativity.
Pop culture has celebrated synesthetic minds for centuries. Synesthetic musicians, writers, artists and even scientists have produced a body of work that still inspires. Indeed, synesthetes often gravitate towards the arts. Eduardo is a Canadian violinist who has synesthesia. He’s, in fact, so obsessed with it that he even went on to do a doctoral thesis on the subject. Eduardo has also authored a children’s book meant to encourage latent creativity, and synesthesia, in children.
Litsa, a British violinist, sees splashes of paint when she hears music. For her, the note G is green; she can’t separate the two. She considers synesthesia to be a fundamental part of her vocation. Samara echoes the sentiment. A talented cellist from London, Samara can’t quite quantify the effect of synesthesia on her music, for she has never known a life without it. Like most synesthetes, the discovery of synesthesia for Samara was really the realisation that other people didn’t experience the world the way she did.
Eduardo, Litsa and Samara got together to make music guided by their synesthesia. They were invited by Maruti NEXA to interpret their new automotive colour - NEXA Blue. The signature shade represents the brand’s spirit of innovation and draws on the legacy of blue as the colour that has inspired innovation and creativity in art, science and culture for centuries.
Each musician, like a true synesthete, came up with a different note to represent the colour. NEXA roped in Indraneel, a composer, to tie these notes together into a harmonious composition. The video below shows how Sound of NEXA Blue was conceived.
You can watch Eduardo, Litsa and Samara play the entire Sound of NEXA Blue composition in the video below.
To know more about NEXA Blue and how the brand constantly strives to bring something exclusive and innovative to its customers, click here.
This article was produced by the Scroll marketing team on behalf of NEXA and not by the Scroll editorial team.