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Centre says NCERT will encourage use of ‘Bharatiya’ languages
Scroll Staff
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NCERT panel recommends including Ramayana, Mahabharata in school history textbooks
Scroll Staff
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Goddesses tamed: Is a unified religious identity recasting female deities in a passive mould?
Sarveswar Sipoy
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How did low-cost posters influence nationalism in the decades leading up to and after the Partition?
Yousuf Saeed
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Should cinema stay away from religion altogether? Here’s what Devdutt Pattanaik has to say
Nandini Ramnath
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In Sanskrit plays, paradise is always lost, but the attempt to regain it never ends
Shashi Deshpande
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‘Swarajya’, ‘Kalki’: Magazines that reflected economic conservatism in independent India after 1947
Aditya Balasubramanian
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‘Now, I am become Death, the destroyer of worlds’: Truth and lies in Oppenheimer’s Gita moment
Mani Rao
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‘The Moral Imagination of the Mahabharata’ offers a scholarly and accessible study of the great epic
Srikar Raghavan
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‘Adipurush’ speaks the language of Hindutva supporters – so why are they opposing the movie?
Apoorvanand
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Podcast: Why engaging with the ideas of VD Savarkar is important to counter Hindutva
Dinyar Patel
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A strain of music that has flourished in India for centuries is being silenced by communalism
Malini Nair
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‘My intention is to be as authentic as possible to what Veda Vyasa said’: Translator Bibek Debroy
Avik Chanda
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International Mother Language Day: The story of the secret language of hijras
Vaishali Shroff
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‘After’: Vivek Narayanan’s book of poetry joins the long list of Valmiki ‘Ramayana’ retellings
Mani Rao
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Remembering P Lal, the man who singlehandedly published new English language writers in India
TJS George
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Drawing Hindu epics in Art Deco style, this Polish artist left behind a striking legacy
Kamayani Sharma
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A ‘timeless epic’ with an eye on the big and the small: Mani Ratnam on ‘Ponniyin Selvan’
Nandini Ramnath
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‘Temple Lamp’: Mirza Ghalib’s poem on Banaras is an ode to the ancient city’s cosmopolitan heritage
Rana Safvi
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What makes the ‘Hitopadesha’ a timeless text on human behaviour? It is its playful language
Shonaleeka Kaul