× Close
-
Prohibition in Bihar has become tool for officials to make big money, says Patna High Court
Scroll Staff
-
Listen: Two different tabla approaches to accompanying sarangi maestro Ram Narayan
Aneesh Pradhan
-
Watch: Rana Daggubati’s talk show guests include Nani, Dulquer Salmaan, SS Rajamouli, Naga Chaitanya
Scroll Staff
-
What leads to a midlife crisis and how can we avoid it? A new book offers suggestions
Deepak Jayaraman
-
‘A Tamilian trapped among three Punjabis’: Subhash Ghai rewinds to the ‘Taal’ soundtrack
Subhash Ghai
-
‘Freedom at Midnight’ review: Drama, debate and bloodshed as India throws off colonial rule
Nandini Ramnath
-
‘Gladiator II’ review: Sequel pulls out the stops to justify itself
Nandini Ramnath
-
Should corporations be liable for human rights violations under international law?
Bonita Meyersfeld, The Conversation
-
‘Kanguva’ review: A eardrum-shattering saga of revenge
Nandini Ramnath
-
‘Waack Girls’ trailer: Six women from Kolkata set out to rule the dance floor
Scroll Staff
-
‘Lucky to learn and study Bengali’: William Radice (1951-2024) on why and how he translated Tagore
William Radice
-
What meditation and mindfulness apps get wrong Buddhist ideals
Gregory Grieve, The Conversation Beverley McGuire, The Conversation
-
In Jharkhand, a young leader’s growing popularity leaves established parties worried
Nolina Minj
-
In a new book, a psychologist writes about the three-step process of caring for yourself
Damini Grover
-
‘Yeh Kaali Kaali Ankhein’ season 2 trailer: Tale of obsessive love gets a new player
Scroll Staff
-
2024 Booker Prize: Samantha Harvey’s ‘Orbital’ is the first winning novel to be set in space
Scroll Staff
-
Trying a ‘digital detox’? Four ways to make it a success
Kelley Cours Anderson, The Conversation Karen Anne Wallach, The Conversation
-
Why Sudan’s civil war is being ‘fought on the bodies of women’
Leila Hawkins, The Human Journalism Network
-
How the Sri Lankan civil war made its way into a French film about an undercover cop
Nandini Ramnath
-
‘It has the power to provoke’: Theatre director Sunil Shanbag on the dilemma the medium faces today
Githa Hariharan