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A new book brings a hidden lineage of Kerala’s theatre through stories of women actors and workers
Sajitha Madathil Jayasree Kalathil
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Huma Qureshi interview: ‘There is merit in being the odd one out’
Nandini Ramnath
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In Bengal, BJP faces growing anger of Hindu migrants over SIR
Rokibuz Zaman
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Why a veggie burger is considered a burger
Victoria-Elliot Bush, The Conversation
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JD Vance’s hopes for Usha’s conversion and the politicisation of religion in the social media era
Rajiv Thind
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Short fiction: A father teaches his young son to shoot feral dogs, setting devastation into motion
Kanza Javed
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Weary, wary and alone: From Delhi to Kerala, the mental distress Indians struggle with
Istikhar Ali
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Along the Brahmaputra: The terrors of the colonial ‘Planter Raj’ in Assam’s tea plantations
Sanjoy Hazarika
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Why air quality numbers in Delhi vary widely
Vaishnavi Rathore
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After Nollywood and Afrobeats, Nigeria’s skit economy is booming
Nnamdi O Madichie, The Conversation
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‘After Midnight’ by Daphne du Maurier proves that she remains the undisputed queen of Gothic fiction
Rahul Singh
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New plan could carve up Mumbai’s last green lung
Esha Lohia
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Booker Prize winner: How does David Szalay’s ‘Flesh’ portray working-class masculinity?
Tory Young, The Conversation
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Ramachandra Guha: Notes for a play about a conversation between Nehru and Martin Luther King
Ramachandra Guha
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Sunday book pick: You don’t want to check out of Vicki Baum’s ‘Grand Hotel’
Sayari Debnath
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‘The Book of Death’: Khalid Jawed’s novella ruminates on the futility of life and the writer’s role
Sonakshi Srivastava
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‘Nishaanchi 2’ review: The formula always wins
Nandini Ramnath
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The eggless brownie and the conundrum of cultural purity
Rosinka Chaudhuri
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Zoë Wicomb (1948–2025): The South African writer who rediscovered the ordinary
Saikat Majumdar
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Indians in jails: Many are young, poorly educated and awaiting trial
Shreehari Paliath, IndiaSpend.com