Amitav Ghosh
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How narcopolitics, racial capitalism work in Amitav Ghosh’s ‘The Ibis Trilogy’ and ‘Smoke and Ashes’
Sanjita Majumder
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Climate change has deep historical roots. Amitav Ghosh explores how capitalism and colonialism fit
Julia Taylor, The Conversation Imraan Valodia, The Conversation
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Writer Neel Mukherjee reflects on Amitav Ghosh’s ‘The Glass Palace’ as a new edition is released
Neel Mukherjee
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Author Amitav Ghosh wins Erasmus Prize for writings on climate crisis
Scroll Staff
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‘Smoke and Ashes’: Amitav Ghosh’s story of how opium has contributed to creating today’s world
Rajat Chaudhuri
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A new book about four authors shows how Indian Ocean literature can remap the world
Charne Lavery, The Conversation
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‘The Living Mountain’: Amitav Ghosh tells us stories about ourselves we can no longer ignore
Rajat Chaudhuri
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Podcast: Author Amitav Ghosh on the perils of a super cyclone’s direct hit on Mumbai
Raghu Karnad
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‘The Nutmeg’s Curse’: Amitav Ghosh links the colonial desire for profit to neoliberal gluttony
Michiel Baas
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Amitav Ghosh’s new book uses the trajectory of a spice to chart colonial violence against the planet
Amitav Ghosh
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Swearing like sailors: What the profanities of lascars can teach today’s divided world
Karunya C Banerjee
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Science fiction and pandemics have an unusual link: the focus on a shared humanity
Mayurika Chakravorty, The Conversation
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The Art of Solitude: Amitav Ghosh’s ‘The Shadow Lines’ is a home away from home
Anu Kumar
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Debate: Is India’s membership of the Commonwealth a colonial relic that should be discarded?
Scroll Staff
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Can literature save the planet? Reading ‘Gun Island’ during an impending climate crisis
Rajat Chaudhuri
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‘My book is not an apocalyptic book at all. I guess I’m leaving hope as a possibility’: Amitav Ghosh
Harsimran Gill
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Amitav Ghosh’s new novel leads in with a legend about the ‘Gun Merchant’, plunging into a mystery
Amitav Ghosh
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Shekhar Kapur to direct series based on Amitav Ghosh’s ‘Ibis’ trilogy
Scroll Staff
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Amitav Ghosh’s Jnanpith award is a reminder of his uncompromisingly political writing
Saloni Sharma
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Jnanpith winner Amitav Ghosh’s ‘The Shadow Lines’ showed how to take the vernacular into English
Saikat Majumdar