Mahabharata
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How Arjuna from ‘Mahabharata’ and Rustam from Iran’s ‘Shahnamah’ are strikingly similar
Alireza Sedighi
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Draupadi and Kunti are living in modern-day India. The Pandavas arrive to ‘protect’ them
Trisha Das
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Why translation is mourning in the Gujarati avatar of poet Arun Kolatkar’s epic ‘Sarpa Satra’
Hemang
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The lesser known Mahabharata: How Gandhari’s curse decimated Krishna’s clan
Uday Shankar
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When did Bhishma die? A reading of the Mahabharata reveals a startling possibility
Rudrangshu Mukherjee
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This Kurukshetra war novel explores conflicted loyalties and erotic jealousies of complex characters
Keerthik Sasidharan
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What it meant to write and publish books on the Mahabharata and the Ramayana during the pandemic
Arshia Sattar
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What Bhisham Sahni’s ‘Madhavi’ tells us about female agency (or the lack of it) in the Mahabharata
Pratiti
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As the Amazon burns, the Mahabharata episode of Khandava forest fire serves up an important reminder
Girish Shahane
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How a poetic retelling of the Mahabharata warns us against the rhetoric of vengeance and sacrifice
Nachiket Joshi
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Your Morning Fix: ‘Kauravas example of stem cell research,’ a claim made at Indian Science Congress
Scroll Staff
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Kauravas were test tube babies, claims Andhra University vice chancellor at Indian Science Congress
Scroll Staff
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How did the ‘Ramayana’ and ‘Mahabharata’ come to be (and what has ‘dharma’ got to do with it)?
Devdutt Pattanaik
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An unexpected swayamvara: This novel recreates the story of Amba from the Mahabharata
Meenakshi Reddy Madhavan
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‘Putting brownness against a brown background compelled me to dig deeper’: Writer Akil Kumarasamy
Urvashi Bahuguna
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Mythological fiction in India is finally heading off the beaten path
Urmi Chanda-Vaz
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Why the polytheism of Hindus (and their texts) leaves the monotheistic West confused
Saikat Majumdar
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Fake news, faeces, fear: Aditya Iyengar’s Mahabharata strips greatness and godliness from the war
Urmi Chanda-Vaz
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‘I wanted to write a Mahabharata novel that spoke about the nature of masculinity’
Jai Arjun Singh
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‘Mahabharata’ doesn’t belong to one country or race – Peter Brook’s nine-hour play is proof of that
Sanjukta Sharma