Photography
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Souvid Datta’s photos of sex workers have many problems – plagiarism is just one of them
Jatinder Marwaha
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Meet the man who photographed India’s street style before it became an Instagram craze
Shigorika Singh
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A photo series on a Dhaka mosque, exhibited in it, fights the myth that photography is haram
Zinnia Ray Chaudhuri
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Photos: Turning pumpkins into tanpuras and India’s other living crafts traditions
Chanpreet Khurana
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A photographer captures the mood and style of Delhi’s working women
Zinnia Ray Chaudhuri
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Photos: Greed has kept the hellfires of Jharia coal town burning for over 100 years
Paroma Mukherjee
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The ‘reckless kids’ of Mahim win a street photographer a prestigious international award
Zinnia Ray Chaudhuri
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A feast for the eyes: Indian food stylists reveal how to get that perfect shot of rice and curry
Zinnia Ray Chaudhuri
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Photos: In just one generation, Mumbai has forgotten that it has four rivers
Aakash Karkare
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Photos of long-forgotten books by long-dead authors preface a memory-themed festival in Mumbai
Samrat Chakrabarti
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In pictures: The many shades and moods of Maqbool Fida Husain
Zinnia Ray Chaudhuri
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‘Every Kaur has a story’: A photo project explores how a shared name inspires Sikh women
Zinnia Ray Chaudhuri
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A photographer lived in caves and trekked in freezing temperatures to script an ode to Ladakh
Jael Silliman
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CSI India: A collector of memories revisits old crimes and investigations through photographs
Paroma Mukherjee
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Nine photographers narrate a photographic history of Kashmir over three decades
Paroma Mukherjee
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Wars, refugees and inner turmoil: The defining images from this year’s World Press Photo contest
Zinnia Ray Chaudhuri
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Photos: India’s incredible shrinking Bene Israel community, through an outsider’s lens
Zinnia Ray Chaudhuri
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Busybee in a café, Manjit Bawa smoking: These photos capture cultural icons in evocative moments
Paroma Mukherjee
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Queer love in Delhi: A book of photographs explores desire and longing in the Capital
Chapal Mehra
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Four photographers take a long, hard look at the ‘self’ in the modern selfie
Paroma Mukherjee