interview
-
‘Women can be complicit in systems of violence, especially in families’: Writer Sophie Mackintosh
Diya Isha
-
‘The idea that KB Hedgewar was an ultra-Hindu is patently false’: Biographer Sachin Nandha
Majid Maqbool
-
‘To be an artist or a writer, you have to be in the business of serious noticing’: Amitava Kumar
Sayari Debnath
-
‘Not ethical questions, but aesthetic ones’: What’s on Keshava Guha’s mind while crafting a novel
Chaitanya Srivastava
-
‘Literature gives you something history can’t’: Editor Mini Krishnan on classic Indian stories
Mahika Dhar
-
‘A permanent campaign machine’: How the professionalisation of politics has changed India after 2014
Majid Maqbool
-
‘The inner emotions of legal practice serve as raw, real-life material for my writing’: Banu Mushtaq
Sayari Debnath
-
‘We all look up at the same sky’: Jordan Quill, author of a children’s book on the magic of Tibet
Ipshita Mitra
-
‘It would be a mistake to think that hyper-technological people don’t live by stories’: Amitav Ghosh
Ashutosh Kumar Thakur
-
‘Restraint, clarity, respect for the story’: Devangana Dash’s philosophy for designing book covers
Sayari Debnath
-
‘A treasure hunt about the past’: Writer Johana Gustawsson on what makes crime fiction so popular
Diya Isha
-
Interview: Do away with governors, says Kerala MP who moved bill to limit Raj Bhawan powers
Anant Gupta
-
‘With an accent’: How Deepa Bhasthi translated International Booker Prize-shortlisted ‘Heart Lamp’
Sayari Debnath
-
Interview: Trump’s tariffs not waqf needed urgent attention, argues this communist MP
Anant Gupta
-
‘What is in life cannot be ignored in books’: Duckbill editor Sayoni Basu on publishing for children
Sayari Debnath
-
‘The structures of capitalism do not automatically help a democracy’: Political activist Tariq Ali
Manaswini Sen
-
‘You can express feelings and sensations in black and white’: Graphic novelist Zeina Abirached
Diya Isha
-
‘A creative narrative based on facts’: How anthropologist Irawati Karve’s biography was written
Rohan Venkataramakrishnan
-
‘With a pen, notebook, binoculars and passion, one can become a good naturalist’: Asad Rahmani
Amrita Talwar
-
‘The way a sari is worn is a living dictionary of India’s stories’: Cultural historian Malvika Singh
Rishi Majumder