interview
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Udit Raj interview: Dalits are confused about BJP, says party's scheduled caste face
Sruthisagar Yamunan
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'I couldn't have written those hard scenes if I'd had a natural child in my life:' Nayomi Munaweera
Smriti Daniel
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‘After a while, their desire to control their son’s body and mind feels creepy’: Aravind Adiga
Jai Arjun Singh
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Bengali movie ‘Shaheb Bibi Golaam’ borrows only the title and not the plot
Manish Gaekwad
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The Narendra Jadhav interview: 'Caste system is the most brilliantly administered scam in history'
Mayank Jain
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'We need to become a less-cash country': Freecharge CEO on why he thinks paper money is the enemy
Mayank Jain
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‘The 75-year-old is back in the saddle’: Adoor Gopalakrishnan returns with ‘Pinneyum’
TA Ameerudheen
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The Amitabh Bachchan interview: 'Celebrities should take trolling and abuse in their stride'
Chandrima Pal
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‘Because Sikkim is small, and its realities are graspable, it can behave like a character’
Anuradha Sharma
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How a Netflix category provoked Mumbai illustrator Shivani Gorle to draw lessons of gender equality
Rhema Mukti Baxter
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The film on Queen Victoria and Abdul Karim will reveal a hidden history, says writer Shrabani Basu
Meher Manda
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Abhay Deol interview: ‘Not as extremist as before, but not a sell-out either’
Nandini Ramnath
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Sunidhi Chauhan interview: ‘I want my fans to separate the singer from the actor’
Manish Gaekwad
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Human struggle is the stuff of cinema, says ‘Chauthi Koot’ cinematographer Satya Rai Nagpaul
Arun Fulara
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Varun Grover interview: ‘The lack of respect for writers stays with you, but also fuels you’
Akshay Manwani
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The Sania Mirza interview: Generation gaps in Indian tennis ‘are very large and we can’t afford one’
Jaideep Vaidya
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The Irrfan interview: ‘If a film cannot reach the masses, the purpose is defeated’
Nandini Ramnath
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If you’re a woman of colour, there are a lot more snakes in the game: Poorna Jagannathan
Meher Manda
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‘Independence Day: Resurgence’ is ‘a whole, whole lot bigger this time’, says Jeff Goldblum
Haricharan Pudipeddi
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‘Brahman Naman’ director Q talks about the ’80s, sexual repression, and the state of indie cinema
Nandini Ramnath