review
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‘The City and Its Uncertain Walls’: Haruki Murakami’s novel is pre-packaged for consumption
Diya Isha
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Booker Prize review: Desire, suspicion, and obsession comprise the emotional core of ‘The Safekeep’
Sayari Debnath
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Booker Prize review: ‘Orbital’ is a wondrous, evocative novel about witnessing humanity from space
Sayari Debnath
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‘Sanatan’: A shameful history of caste violence in Sharankumar Limbale’s novel about the Mahars
Rahul Vishnoi
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Sunday book pick: The darkly comic and sex-talking novel ‘Big Swiss’ tells women to take it easy
Sayari Debnath
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Enforcement Directorate has to provide grounds of arrest in writing, says Supreme Court
Scroll Staff
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Manish Sisodia files review petition against Supreme Court order rejecting bail
Scroll Staff
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‘Weasels in the Attic’: What if men felt as insecure as women about infertility and ageing?
Sayari Debnath
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In JM Coetzee’s new book, questions of the soul become urgent as the body becomes frail
Sue Kossew, The Conversation
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‘Not Quite a Disaster After All’ is a fine dissection of feminine entanglements and freedoms
Sayari Debnath
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Featuring a woke Devdas, ‘My Name Is Not Devdas’ is a fiery re-imagination of the classic
Sayari Debnath
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‘Victory City’ lays bare the dangers of re-writing history, especially when sponsored by the state
Saloni Sharma
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‘Through a Looking Glass’: These short stories paint true pictures of the fates of women in India
Shyamala A Narayan
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‘Age of Vice’: Nothing good happens in this novel of power and corruption, and that’s a good thing
Sahana Hegde
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2022 Women’s Prize for Fiction winner: Is ‘The Book of Form and Emptiness’ Ruth Ozeki’s best?
Sayari Debnath
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Former International Booker winner Jokha Alharthi’s latest novel leaves a bittersweet aftertaste
Sayari Debnath
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Philosophy, obsession and puzzling people: Julian Barnes’s new novel explores big questions
Janna Thompson, The Conversation
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‘Tomb of Sand’: Geetanjali Shree’s novel may be the most original and undefinable work of our times
Shree Thaarshini Sriraman Vighnesh Hampapura
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‘Open Zero’: Sophia Naz’s new book of poems glides across war and detention, migration and memory
Nabina Das
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‘House Next to the Factory’: How to write readable stories where nothing much really ever happens
Sahana Hegde