Short Take

Should Pakistani singer Ghulam Ali bear the burden of Kasab's act of terror?

India's rising tide of intolerance has descended into goondaism of the worst kind

The Shiv Sena is back in the news. I guess it's been a while since they made it to the front pages. They've gone back to the politics that gave them their oxygen all those years ago: intimidating the state into submission by targeting a familiar enemy. They have ensured that a concert by Ghulam Ali concert scheduled for Friday has been banned in Mumbai because their leader Udhav Thackeray vetoed it. This despite the fact that Maharashtra Chief Minister Devendra Fadnavis had reportedly promised full protection to the Pakistani singer. Are we to then understand that the chief minister and the state machinery are subordinate to Thackeray's diktats?

We are told that Ghulam Ali is not welcome in Mumbai because its citizens have not forgiven Pakistan for its role in 26/11. So Ghulam Ali is welcome to sing in Delhi, he sings in even the prime minister's constituency in Varanasi, but he can't sing in Mumbai because of the collective outrage over the terror attack and Pakistan-sponsored cross-border terrorism. Are we to believe that only Mumbaikars feel strongly enough to stop a singer from performing while the rest of the country embraces him?

And what of those who want to hear him sing, who may not subscribe to the view of the alleged majority, who may genuinely believe that music cuts across boundaries? Do they not have a voice or is the Shiv Sena now that the sole spokesperson for the city of Mumbai? You could argue that it has always been like this: after all, didn't the Sena once dig up a cricket pitch ahead of an India-Pakistan series? And didn't the Congress government at the time timidly acquiesce to this act of thuggish behaviour?

The silent majority

When it did so in 1991, the cricket-crazy fans of Mumbai stayed silent. As many of us do today, even as a legendary singer is denied the right to play his music. Is Ghulam Ali to bear the guilt of what Ajmal Kasab did, and is that the only way the so-called collective conscience of a nation seeking vengeance will be satiated? Since we can't strike at a Lashkar camp in Muridke, so much easier to stop a music concert. It's easy to be brave sitting in a shakha in Mumbai rather than being a soldier along the LoC: the ISI won't stop sponsoring terror because the Sena stopped a music concert.

The fact is that this rising intolerance has now descended into goondaism of the worst kind. One day, it leads to a man being lynched to death in Dadri, the next day a concert being cancelled in Mumbai: the mindset of using muscle power to impose a religious agenda under the guise of spurious nationalism is much the same. And we stay quiet because we are too scared to speak. Or we have too much to lose by challenging the ruling class. I hate silence and I love my music: so I shall listen to a Ghulam Ali song on my IPod before I sleep tonight. Surely the Shiv Sena won't come into my bedroom. Or will they?

We welcome your comments at letters@scroll.in.
Sponsored Content BY 

Not just for experts: How videography is poised for a disruption

Digital solutions are making sure it’s easier than ever to express your creativity in moving images.

Where was the last time you saw art? Chances are on a screen, either on your phone or your computer. Stunning photography and intricate doodles are a frequent occurrence in the social feeds of many. That’s the defining feature of art in the 21st century - it fits in your pocket, pretty much everyone’s pocket. It is no more dictated by just a few elite players - renowned artists, museum curators, art critics, art fair promoters and powerful gallery owners. The digital age is spawning creators who choose to be defined by their creativity more than their skills. The negligible incubation time of digital art has enabled experimentation at staggering levels. Just a few minutes of browsing on the online art community, DeviantArt, is enough to gauge the scope of what digital art can achieve.

Sure enough, in the 21st century, entire creative industries are getting democratised like never before. Take photography, for example. Digital photography enabled everyone to capture a memory, and then convert it into personalised artwork with a plethora of editing options. Apps like Instagram reduced the learning curve even further with its set of filters that could lend character to even unremarkable snaps. Prisma further helped to make photos look like paintings, shaving off several more steps in the editing process. Now, yet another industry is showing similar signs of disruption – videography.

Once burdened by unreliable film, bulky cameras and prohibitive production costs, videography is now accessible to anyone with a smartphone and a decent Internet bandwidth. A lay person casually using social media today has so many video types and platforms to choose from - looping Vine videos, staccato Musical.lys, GIFs, Instagram stories, YouTube channels and many more. Videos are indeed fast emerging as the next front of expression online, and so are the digital solutions to support video creation.

One such example is Vizmato, an app which enables anyone with a smartphone to create professional-looking videos minus the learning curve required to master heavy, desktop software. It makes it easy to shoot 720p or 1080p HD videos with a choice of more than 40 visual effects. This fuss- free app is essentially like three apps built into one - a camcorder with live effects, a feature-rich video editor and a video sharing platform.

With Vizmato, the creative process starts at the shooting stage itself as it enables live application of themes and effects. Choose from hip hop, noir, haunted, vintage and many more.

The variety of filters available on Vizmato
The variety of filters available on Vizmato

Or you can simply choose to unleash your creativity at the editing stage; the possibilities are endless. Vizmato simplifies the core editing process by making it easier to apply cuts and join and reverse clips so your video can flow exactly the way you envisioned. Once the video is edited, you can use a variety of interesting effects to give your video that extra edge.

The RGB split, Inset and Fluidic effects.
The RGB split, Inset and Fluidic effects.

You can even choose music and sound effects to go with your clip; there’s nothing like applause at the right moment, or a laugh track at the crack of the worst joke.

Or just annotated GIFs customised for each moment.

Vizmato is the latest offering from Global Delight, which builds cross-platform audio, video and photography applications. It is the Indian developer that created award-winning iPhone apps such as Camera Plus, Camera Plus Pro and the Boom series. Vizmato is an upgrade of its hugely popular app Game Your Video, one of the winners of the Macworld Best of Show 2012. The overhauled Vizmato, in essence, brings the Instagram functionality to videos. With instant themes, filters and effects at your disposal, you can feel like the director of a sci-fi film, horror movie or a romance drama, all within a single video clip. It even provides an in-built video-sharing platform, Popular, to which you can upload your creations and gain visibility and feedback.

Play

So, whether you’re into making the most interesting Vines or shooting your take on Ed Sheeran’s ‘Shape of You’, experience for yourself how Vizmato has made video creation addictively simple. Android users can download the app here and iOS users will have their version in January.

This article was produced by the Scroll marketing team on behalf of Vizmato and not by the Scroll editorial team.