Nature, Hindu-Muslim unity: Premchand would have been trolled today for the things he cared about

A new four-volume series presents English translations of all 299 stories written by the legendary author for the first time.

Premchand’s love for the countryside is evident in his fictional and non-fictional writings. He has written several extremely evocative stories such as Panchayat, Do Bail, Idgah, Atma Ram, depicting the pristine village life of simplicity, honesty and quiet contentment. In fact, his fictional corpus, if read uncritically, would lend itself to an easy binary between country life and city life, one good and the other almost irredeemably evil. Yet, we have to recognise that he does not depict country life as an idyll shorn of all evils. There are stories such as A Positive Change (Vidhwans), A Home for an Orphan (Grihdaah) and The Road to Salvation (Mukti Marg) that de-romanticise and demystify village life and depict the author’s awareness of the imperfections and blind spots in the supposed idyll. Thus, the apparent binary that seems to work in case of some novels and stories cannot be stretched beyond a point.

Premchand’s deep interest in the simple life of peasants extended to his love for animals, particularly draught animals, treated most cruelly in India.

Very few writers have depicted such an intimate bond between animals and human beings. Premchand depicts animals as endowed with emotions just as human beings are, responding to love and affection just as human beings do, and are fully deserving of human compassion. Often, the duplicity, cruelty and betrayal in the human world is contrasted with the unconditional love and loyalty displayed by animals towards their masters and those who care for them. It is a heart-wrenching moment, as shown in Money for Deliverance (Muktidhan) and Sacrifice (Qurbani) when a peasant has to part with his animals because of want and destitution.

The deep compassion with which animal life has been depicted in Holy Judges (Panchayat), Reincarnation (Purva Sanskar), The Story of Two Bullocks (Do Bailon ki Katha) and The Roaming Monkey (Salilani Bandar) are treasures of world literature. Stories such as Turf War (Adhikar Chinta) and Defending One’s Liberty (Swatt Raksha), written in a humorous and symbolic vein, show how a dog fiercely protects his turf and how a horse defeats all the machinations of human beings to make him work on a Sunday which is his day of rest, rightfully earned after working for six days of the week! In The Roaming Monkey, the author shows how a monkey earns money by showing tricks of different kinds and thus looks after the wife of his owner, nurtures her and brings her back from the brink of lunacy. In The Price of Milk (Doodh ki Qeemat) we have the spectacle of goats feeding a baby with milk from their own udders, thereby saving its life. The baby has been denied milk by its own mother because she considers it a tentar, an “evil” child destined to be the cause of death of one of the parents/ members of the family, and wishes it dead.

In A Daughter’s Possessions (Beti ka Dhan) Sakkhu Choudhury finds tears streaming down the eyes of his oxen in his moments of grief when the zamindar was going to evict him from his home, and when his own sons were totally indifferent to his plight. In the story, Two Brothers (Do Bhai) the narrator contrasts the greed and lack of empathy of the elder brother Krishna for his younger brother, Balaram, whose property he wants to grab with the deep bond between two bullocks one of which refused to touch any food for three days when the other was separated from it.

Several very popular stories of Premchand deal with Hindu-Muslim relation. He was deeply interested and invested in a cordial relationship between Hindus and Muslims, a fact which is evident in both his fictional and non-fictional writings. He had no doubt that the independence and progress of the country depended substantially on the harmonious relationship between these two dominant religious groups in India.

Early in his life he was introduced to Muslim culture and Islam through learning Persian and Urdu and the maulvi who taught him.

He was also familiar with ideals of Hinduism, both the orthodox variety and the reformist trend of Arya Samaj to which his family owed allegiance. This, coupled with his inherently secular temperament, provided him a unique vantage point from which he could write fairly and fearlessly about both the communities in an even-handed way. In fact, he was the only writer of his generation in any Indian language, not excepting Tagore, to write about the external and internal lives of the members of both the communities with a kind of insight, empathy and intimacy that have not been matched since. I cannot think of any other Indian writer who possessed that kind of double vision. During his lifetime, the relationship between Hindus and Muslims went through particularly volatile and turbulent phases, but he was always unwavering in his belief in pluralism and kept the faith. Stories like The Holy Judges, Idgah, The Greater Pilgrimage (Hajj-e Akbar), The Temple and the Mosque (Mandir aur Masjid), The Prophet’s Justice (Nabi ka Niti Nirvaah), Forgiveness (Kshama) and essays such as, Islamic Civilization (Islami Sabhyata) demonstrate how deeply he knew about Islamic culture and the intimate lives of Muslim families, and how the daily lives of the Hindus and the Muslims were intertwined, particularly in the countryside. Towards the end of the second decade of the twentieth century when the Hindu-Muslim relation was at the lowest ebb, Premchand wrote his play Karbala, on a deeply emotional subject for Muslims, to cement the bonds of Hindu-Muslim unity.

Premchand seems immensely relevant in today’s India when history is being sought to be rewritten and Muslims are being constantly cast in the role of the “other” and made accountable for all the real and imagined atrocities of the Muslim rulers of the past! In his own time, he saw with bewilderment how “Whenever a Muslim king is remembered, we evoke Aurangzeb”, a remark that reverberates with contemporary resonance, indicating the agenda of some people who always sought to frustrate any attempt at a broader understanding and reconciliation between these two communities. He was opposed to religious sectarianism and orthodoxy in any form. This will be evident if one reads his stories of the Moteram series and a story like The Holy War (Jihad) where he anticipates what goes today by the misleading and erroneous name of “Islamic” terror together. In this context, Syed Akbar Hyder’s comments seem particularly apt:

Premchand archives Hindu-Muslim relationship in mutually respectable terms that move beyond Aurangzeb and his times into a temporal zone reflecting a more pluralistic Islam...By ideologically fracturing religious communities, he undermines the antagonistic communal bifurcation within the colonial milieu that posited Hindu and Muslim as age-old enemies whose scriptures determined their mode of thinking and living.

Excerpted with permission from the Introduction to Premchand: The Complete Short Stories, edited by M Asaduddin.

We welcome your comments at
Sponsored Content BY 

The ordeal of choosing the right data pack for your connectivity needs

"Your data has been activated." <10 seconds later> "You have crossed your data limit."

The internet is an amazing space where you can watch a donkey playing football while simultaneously looking up whether the mole on your elbow is a symptom of a terminal diseases. It’s as busy as it’s big with at least 2.96 billion pages in the indexed web and over 40,000 Google search queries processed every second. If you have access to this vast expanse of information through your mobile, then you’re probably on something known as a data plan.

However, data plans or data packs are a lot like prescription pills. You need to go through a barrage of perplexing words to understand what they really do. Not to mention the call from the telecom company rattling on at 400 words per minute about a life-changing data pack which is as undecipherable as reading a doctor’s handwriting on the prescription. On top of it all, most data packs expect you to solve complex algorithms on permutations to figure out which one is the right one.


Even the most sophisticated and evolved beings of the digital era would agree that choosing a data pack is a lot like getting stuck on a seesaw, struggling to find the right balance between getting the most out of your data and not paying for more than you need. Running out of data is frustrating, but losing the data that you paid for but couldn’t use during a busy month is outright infuriating. Shouldn’t your unused data be rolled over to the next month?

You peruse the advice available online on how to go about choosing the right data pack, most of which talks about understanding your own data usage. Armed with wisdom, you escape to your mind palace, Sherlock style, and review your access to Wifi zones, the size of the websites you regularly visit, the number of emails you send and receive, even the number of cat videos you watch. You somehow manage to figure out your daily usage which you multiply by 30 and there it is. All you need to do now is find the appropriate data pack.

Promptly ignoring the above calculations, you fall for unlimited data plans with an “all you can eat” buffet style data offering. You immediately text a code to the telecom company to activate this portal to unlimited video calls, selfies, instastories, snapchats – sky is the limit. You tell all your friends and colleagues about the genius new plan you have and how you’ve been watching funny sloth videos on YouTube all day, well, because you CAN!


Alas, after a day of reign, you realise that your phone has run out of data. Anyone who has suffered the terms and conditions of unlimited data packs knows the importance of reading the fine print before committing yourself to one. Some plans place limits on video quality to 480p on mobile phones, some limit the speed after reaching a mark mentioned in the fine print. Is it too much to ask for a plan that lets us binge on our favourite shows on Amazon Prime, unconditionally?

You find yourself stuck in an endless loop of estimating your data usage, figuring out how you crossed your data limit and arguing with customer care about your sky-high phone bill. Exasperated, you somehow muster up the strength to do it all over again and decide to browse for more data packs. Regrettably, the website wont load on your mobile because of expired data.


Getting the right data plan shouldn’t be this complicated a decision. Instead of getting confused by the numerous offers, focus on your usage and guide yourself out of the maze by having a clear idea of what you want. And if all you want is to enjoy unlimited calls with friends and uninterrupted Snapchat, then you know exactly what to look for in a plan.


The Airtel Postpaid at Rs. 499 comes closest to a plan that is up front with its offerings, making it easy to choose exactly what you need. One of the best-selling Airtel Postpaid plans, the Rs. 499 pack offers 40 GB 3G/4G data that you can carry forward to the next bill cycle if unused. The pack also offers a one year subscription to Amazon Prime on the Airtel TV app.

So, next time, don’t let your frustration get the better of you. Click here to find a plan that’s right for you.


This article was produced by the Scroll marketing team on behalf of Airtel and not by the Scroll editorial team.