Salman Khan’s inimitable dance moves have a special place in shaping the characters he plays. These moves are more about The Khan and less about the nuances of choreography.
Ever since Maine Pyar Kiya (1989) through Saajan (1991), Karan Arjun (1995) and Partner, (2007), Khan has hung from a chandelier, worn skimpy shorts, ripped his shirt, lifted a skirt with his mouth and even dropped a towel. The song “Baby Ko Bass Pasand Hai” from the upcoming Sultan pays tribute to his swinging hips, which started it all.
