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In English language publishing in India (at least), women have shattered the glass ceiling
AR Venkatachalapathy
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This book asks why psychiatrists have been so silent about the trauma of the Partition
Alok Sarin Sanjeev Jain
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The big news: Lalu Prasad Yadav claims conspiracy to ruin his health, and nine other top stories
Scroll Staff
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Gujarat CM Vijay Rupani says mythological sage Narad had as much information as Google
Scroll Staff
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The big news: Kavinder Gupta takes oath as Jammu and Kashmir deputy CM, and nine other top stories
Scroll Staff
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Research-innovation in technology: Where does India stand in a winner-takes-all market?
Varun Aggarwal
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Tripura CM’s claims about internet in Mahabharat era inspires hilarious memes on ancient Indian tech
Scroll Staff
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Kashmir militancy: The curious case of an Assam trader who may now be a Hizbul Mujahideen member
Arunabh Saikia
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The Daily Fix: Vice President Venkaiah Naidu seems to think he’s still a BJP heavyweight
Ipsita Chakravarty
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‘Kaikeyi to Dasharath’: How Michael Madhusudan Dutt’s radical poetry reworked the narrative
Michael Madhusudan Dutt Ahona Panda
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Fighting back: How the women’s self-defence movement mushroomed at the end of the nineteenth century
Wendy L Rouse
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Narendra Modi diminished his office by selectively invoking Mahatma Gandhi in Parliament
Swami Agnivesh
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Once upon a time In Indian publishing: Six fantasies for 2018
Krishna Shastri Devulapalli
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In the land of Heer: What does fighting Valentine’s Day have to do with saving Pakistan’s culture?
Haroon Khalid
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Whether ‘Padmaavat’ or ‘Devdas’, raag Yaman is perfect for the song about eternal love
Archana Nathan
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How giving a ride to Mahasweta Devi turned rickshaw puller Manoranjan Byapari into a writer
Manoranjan Byapari
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It’s not so rosy anymore: Economic Survey paints a sobering picture
Nitin Sethi
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Will we get to read the unpublished work of JD Salinger, or will it be ‘Catcher In The Rye’ forever?
M Saad
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Republic Day story: On Ravi’s banks, a pledge that shaped the course of modern India 88 years ago
Haroon Khalid
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‘Padmaavat’ film review: A saga of love, honour and death as beautiful as it is bloodless
Nandini Ramnath