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‘Sister Midnight’ review: Radhika Apte is a blast as a rebellious housewife with a dark side
Meeting diaspora, watching garba, speaking to ANI: What anti-terror MP delegations are doing abroad
Ngũgĩ wa Thiong’o (1938–2025): Five things to know about one of Africa’s greatest ever writers
YouTuber Mohak Mangal agrees to remove ‘objectionable’ parts of video about ANI
Mumbai Commuter Rail division: Some ideas on fixing the commercial capital’s lifeline
Translated short fiction: A Konkani Christian cowherd wonders if he should convert to Hinduism
A border ran through it: The life and lonely death of an 80-year-old Kashmiri man
It’s a ‘golden age’ for the Hindi news business – but not so much for Hindi journalism or democracy
‘Kankhajura’ review: An engaging look at insidious evil
‘I want all people to be nothing else but Indians’: Shashi Tharoor on BR Ambedkar’s vision
Interview: Why Bangladesh army is angry with Yunus and his interim government
It’s not just Dharavi. For years, Mumbai’s poor have been banished to a life near a garbage dump
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Ankur
The essential Shyam Benegal films, from ‘Ankur’ to ‘Welcome to Sajjanpur’
Scroll Staff
· Dec 24, 2024 · 09:05 am
Shyam Benegal (1934-2024): The conscience keeper of Indian cinema
Nandini Ramnath
· Dec 23, 2024 · 08:21 pm
A personal encounter with the unfailingly polite and always thoughtful Shyam Benegal
Bubla Basu
· Dec 14, 2021 · 08:15 am
Classics revisited: Shyam Benegal’s ‘Ankur’ burrows deep into the consciousness
Bubla Basu
· Sep 04, 2017 · 01:30 pm
Shyam Benegal’s ‘Ankur’ and the beginning of a film movement
Sangeeta Datta
· Dec 14, 2016 · 12:00 pm
