Film Review
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In documentary ‘Wild Karnataka’, a rich portrait of creatures great and small
Nandini Ramnath
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‘Dhappa’ film review: A simplistic and yet winning parable of childhood
Nandini Ramnath
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‘Spider-Man: Into the Spider-Verse’ film review: A colourful and funky animated adventure
Nandini Ramnath
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‘Loveyatri’ film review: This unremitting trudge should warn Bollywood of the perils of nepotism
Nandini Ramnath
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‘Andhadhun’ film review: A wicked and wacky yarn about a crime and its unlikely punishment
Nandini Ramnath
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‘Sui Dhaaga: Made in India’ film review: Come for the feel-good and stay for the hard lessons
Nandini Ramnath
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‘Pataakha’ film review: A twisted tale of sisters who are peace only at war
Nandini Ramnath
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‘Village Rockstars’ film review: This unsentimental underdog story is a visual poem about Assam
Sanjukta Sharma
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‘Chekka Chivantha Vaanam’ film review: Mani Ratnam serves up revenge cold and cool
Nandini Ramnath
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‘Batti Gul Meter Chalu’ film review: Is this the longest power cut in the history of cinema?
Nandini Ramnath
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‘Manmarziyaan’ film review: Anurag Kashyap’s unusual romance has vim, wit, and wisdom to spare
Nandini Ramnath
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‘The Nun’ film review: Low on scares, high on the atmospherics
Aakash Karkare
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‘Laila Majnu’ film review: Love equals madness in Kashmir (and it sometimes makes sense)
Nandini Ramnath
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‘Yamla Pagla Deewana Phir Se’ review: Yet another sequel that needn’t have bothered
Nandini Ramnath
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‘Vishwaroop II’ film review: This sequel needn’t have existed at all
Nandini Ramnath
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‘Dhadak’ film review: This watchable remake stands on its own but lacks the punch of the original
Udita Jhunjhunwala
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‘Incredibles 2’ film review: A rare sequel that is nearly as good as the first one
Nandini Ramnath
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‘Hereditary’ film review: Horror the way it should be done, without gimmicks or fake scares
Aakash Karkare
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‘Veere Di Wedding’ film review: Rarely has a movie worked so hard at being outrageous
Nandini Ramnath
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‘Nude’ film review: A bold subject, but the treatment isn’t daring enough
Nandini Ramnath