How Satyajit Ray filmed the ‘Sonar Kella’ scene of the actors chasing a train on camelback

Satyajit Ray Bijaya Ray

· Dec 11, 2024 · 08:45 am

In Satyajit Ray’s films, the magic began with the opening titles

Ashoke Nag

· Aug 22, 2024 · 08:45 am

How Indian detective fiction has decoded ethnographic puzzles, questioned hierarchical structures

Tarun K Saint

· Feb 19, 2024 · 08:30 am

What would the adult years of Sukumar Ray’s Pagla Dashu look like? A new book imagines the answer

Indrajit Hazra

· Dec 19, 2023 · 09:36 am

Satyajit Ray’s Professor Shonku stories remind us that he created a fictional scientist too

Satyajit Ray

· Feb 08, 2023 · 05:30 pm

No heroes or villains, only different shades of grey: Revisiting Satyajit Ray’s cinema in 2023

Nilosree Biswas

· Jan 05, 2023 · 09:45 am

‘Subtle nuances of human relationships’: Why Satyajit Ray adapted ‘Postmaster’ and ‘Samapti’

Satyajit Ray

· Jun 28, 2022 · 10:15 am

How Satyajit Ray achieved historical accuracy in his first Hindi film ‘Shatranj ke Khilari’

Sarbajit Mitra

· Jun 13, 2022 · 02:45 pm

‘Aparajito’ and the Mystery of the Renamed Filmmaker

Nandini Ramnath

· May 03, 2022 · 11:00 am

A digitisation project reveals Satyajit Ray’s brilliant illustrations for ‘Goopy Gyne Bagha Byne’

Rochona Majumdar

· Aug 02, 2021 · 10:30 am

Book versus movie: In ‘Ghare Baire’, questions on nationalism and the nature of freedom

Anu Kumar

· Jun 17, 2021 · 02:30 pm

Where Satyajit Ray brings alive the genius of three generations of the Ray family in one book

Saikat Majumdar

· Jun 12, 2021 · 08:30 am

Feluda is one of Satyajit Ray’s greatest creations but is he too brilliant for the movies?

Nandini Ramnath

· Jun 07, 2021 · 10:30 am

Satyajit Ray centenary: Professor Shonku’s world no longer exists. Can he still cast a spell?

Atanu Biswas

· May 02, 2021 · 05:30 pm

Alokananda Dasgupta on Satyajit Ray’s film music: ‘Quirk with an empirical quality’

Devarsi Ghosh

· May 02, 2021 · 10:30 am

Ray 100: Satyajit Ray on his grandfather Upendrakishore Ray Chowdhury, whom he never saw

Satyajit Ray

· May 02, 2021 · 08:30 am

Madhabi Mukherjee on ‘Charulata’, its enigmatic last scene, and the sea that returned an offering

Madhabi Mukherjee

· May 01, 2021 · 10:30 am

In ‘Jalsaghar’, a stubborn landlord and a chandelier with its own story

Suresh Chabria

· Apr 11, 2021 · 10:30 am

In Satyajit Ray’s ‘Pratidwandi’, a ‘very contemporary’ hunt for work and meaning

Nandini Ramnath

· Mar 21, 2021 · 09:45 am

How Satyajit Ray found Indir Thakrun, the scene-stealer of ‘Pather Panchali’

Satyajit Ray

· Feb 05, 2021 · 10:30 am