Satyajit Ray
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Book versus movie: In ‘Ghare Baire’, questions on nationalism and the nature of freedom
Anu Kumar
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Where Satyajit Ray brings alive the genius of three generations of the Ray family in one book
Saikat Majumdar
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Feluda is one of Satyajit Ray’s greatest creations but is he too brilliant for the movies?
Nandini Ramnath
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Satyajit Ray centenary: Professor Shonku’s world no longer exists. Can he still cast a spell?
Atanu Biswas
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Alokananda Dasgupta on Satyajit Ray’s film music: ‘Quirk with an empirical quality’
Devarsi Ghosh
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Ray 100: Satyajit Ray on his grandfather Upendrakishore Ray Chowdhury, whom he never saw
Satyajit Ray
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Madhabi Mukherjee on ‘Charulata’, its enigmatic last scene, and the sea that returned an offering
Madhabi Mukherjee
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In ‘Jalsaghar’, a stubborn landlord and a chandelier with its own story
Suresh Chabria
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In Satyajit Ray’s ‘Pratidwandi’, a ‘very contemporary’ hunt for work and meaning
Nandini Ramnath
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How Satyajit Ray found Indir Thakrun, the scene-stealer of ‘Pather Panchali’
Satyajit Ray
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Light of Ray: The Subrata Mitra-Satyajit Ray partnership led to cinema’s most unforgettable moments
Nandini Ramnath
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Why Sharmila Tagore considers ‘Devi’ her best collaboration with Satyajit Ray
Sharmila Tagore
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Amit Chaudhuri on Satyajit Ray’s very Indian modernity: Not a ‘beginning’ as much as a ‘fruition’
Amit Chaudhuri
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Fun, camels and greed control: Soumitra Chatterjee recalls the shoot of Satyajit Ray’s ‘Sonar Kella’
Soumitra Chatterjee
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Legendary Bengali actor Soumitra Chatterjee dies at 85
Scroll Staff
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Watch: Colourised scenes from Satyajit Ray classic ‘Pather Panchali’
Scroll Staff
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Flashback: A behind-the-scenes account of the making of ‘Goopy Gyne Bagha Byne’
Satyajit Ray
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Watch: Satyajit Ray documentaries on Films Division’s website and YouTube channel
Scroll Staff
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Satyajit Ray’s ‘Two’ offers a lens on how lockdowns work differently for rich and poor kids
Bhaswati Ghosh
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Nemai Ghosh (1934-2020): ‘Boswell with a camera’ dies at 86
Scroll Staff