soundtrack review
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‘Mom’ soundtrack review: Female voices power the score for a movie about a determined mother
Rineeta Naik
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Whether or not Parineeti Chopra can sing, ‘Meri Pyaari Bindu’ composers Sachin-Jigar are on a roll
Manish Gaekwad
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No half measures in the bustling ‘Half Girlfriend’ soundtrack
Manish Gaekwad
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‘Begum Jaan’ soundtrack review: Doleful and dull
Manish Gaekwad
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‘Anaarkali of Aarah’ soundtrack review: Come for the raunch and stay for the rebellion
Manish Gaekwad
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Soundtrack review: A ghost raps and shakes a leg in ‘Phillauri’
Manish Gaekwad
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Soundtrack review: ‘Rangoon’ is an eclectic and often dazzling mix of old and new musical styles
Manish Gaekwad
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Soundtrack review: ‘OK Jaanu’ is ‘O Kadhal Kanmani’ repackaged with Gulzar’s poetry
Manish Gaekwad
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Soundtrack review: Ajay-Atul continue their hit parade with ‘Jaundya Na Balasaheb’
Manish Gaekwad
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Soundtrack review: Amaal Mallik aims for a knockout in ‘M.S. Dhoni – The Untold Story’
Manish Gaekwad
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Soundtrack review: ‘Mirzya’ pumps up the heartbeat (but Sahiban is missing)
Manish Gaekwad
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Soundtrack review: A dull shade of ‘Pink’ despite Quratulain Balouch
Manish Gaekwad
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Soundtrack review: ‘Banjo’ drags the street into the recording studio
Manish Gaekwad
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Soundtrack review: ‘Raaz Reboot’ has a funereal sound befitting its horror theme
Manish Gaekwad
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Soundtrack review: ‘Baar Baar Dekho’ has repeat value
Manish Gaekwad
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Soundtrack review: Four composers equals one lacklustre attempt in ‘Rustom’
Manish Gaekwad
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Soundtrack review: ‘Dishoom’ makes all the right noises
Manish Gaekwad
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Soundtrack review: Many dead notes in AR Rahman’s score for ‘Mohenjo Daro’
Manish Gaekwad