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Watch these hair-raising manoeuvres by two cars (with one refuelling the other in mid-drive)

Don’t try this on the streets, ever.


Among the many strange sports that cars are involved in is the one of drifting. It’s hard to describe, but it needs the driver to artfully lose some control over the vehicle while taking corners, which in turns means driving on a circular track.

Holding a record for longest drift is, it appears, a badge of honour for carmakers. And so, as the video above shows, BMW set out to break the world record by having its M5 drift for eight continuous hours. This in turn needed the car to be refuelled while it was still being driven, an intricate and dangerous manoeuvre involving another car drive alongside.

And so the big question: How do you shred tires, guzzle fuel, put lives at risk and break two Guinness World Records? By drifting in the new BMW M5 for eight continuous hours, like in the video above.

The last record for the longest drift was set in 2017 by a Toyota GT86 that covered 165.04 km. This was shattered in December 2017 by Johan Schwartz, a BMW Performance Driving School instructor, by a large margin.

Much of the credit, however, must be attributed to Matt Mullin and Matt Butts for successfully refuelling the car mid-drift, while in motion, as many as five times. This meant using refuelling technology typically deployed by fighter jets.

The BMW was equipped with an exterior nozzle that facilitated refuelling on the go by Butts, who can be seen suspended from the rear window, while Mullin drove the second BMW M5 that did the refuelling.

In the process, BMW also set a world record for the world’s longest “Twin-Vehicle Drift” (water assisted), which lasted an hour and covered 79.26 km.

Here are some videos that reveal the behind-the-scenes action.

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A special shade of blue inspired these musicians to create a musical piece

Thanks to an interesting neurological condition called synesthesia.

On certain forums on the Internet, heated discussions revolve around the colour of number 9 or the sound of strawberry cupcake. And most forum members mount a passionate defence of their points of view on these topics. These posts provide insight into a lesser known, but well-documented, sensory condition called synesthesia - simply described as the cross wiring of the senses.

Synesthetes can ‘see’ music, ‘taste’ paintings, ‘hear’ emotions...and experience other sensory combinations based on their type. If this seems confusing, just pay some attention to our everyday language. It’s riddled with synesthesia-like metaphors - ‘to go green with envy’, ‘to leave a bad taste in one’s mouth’, ‘loud colours’, ‘sweet smells’ and so on.

Synesthesia is a deeply individual experience for those who have it and differs from person to person. About 80 different types of synesthesia have been discovered so far. Some synesthetes even have multiple types, making their inner experience far richer than most can imagine.

Most synesthetes vehemently maintain that they don’t consider their synesthesia to be problem that needs to be fixed. Indeed, synesthesia isn’t classified as a disorder, but only a neurological condition - one that scientists say may even confer cognitive benefits, chief among them being a heightened sense of creativity.

Pop culture has celebrated synesthetic minds for centuries. Synesthetic musicians, writers, artists and even scientists have produced a body of work that still inspires. Indeed, synesthetes often gravitate towards the arts. Eduardo is a Canadian violinist who has synesthesia. He’s, in fact, so obsessed with it that he even went on to do a doctoral thesis on the subject. Eduardo has also authored a children’s book meant to encourage latent creativity, and synesthesia, in children.

Litsa, a British violinist, sees splashes of paint when she hears music. For her, the note G is green; she can’t separate the two. She considers synesthesia to be a fundamental part of her vocation. Samara echoes the sentiment. A talented cellist from London, Samara can’t quite quantify the effect of synesthesia on her music, for she has never known a life without it. Like most synesthetes, the discovery of synesthesia for Samara was really the realisation that other people didn’t experience the world the way she did.

Eduardo, Litsa and Samara got together to make music guided by their synesthesia. They were invited by Maruti NEXA to interpret their new automotive colour - NEXA Blue. The signature shade represents the brand’s spirit of innovation and draws on the legacy of blue as the colour that has inspired innovation and creativity in art, science and culture for centuries.

Each musician, like a true synesthete, came up with a different note to represent the colour. NEXA roped in Indraneel, a composer, to tie these notes together into a harmonious composition. The video below shows how Sound of NEXA Blue was conceived.


You can watch Eduardo, Litsa and Samara play the entire Sound of NEXA Blue composition in the video below.


To know more about NEXA Blue and how the brand constantly strives to bring something exclusive and innovative to its customers, click here.

This article was produced by the Scroll marketing team on behalf of NEXA and not by the Scroll editorial team.