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How the river flows: There is another way the Indus Water Treaty could help defeat terror
Snow leopards thriving in Ladakh Himalayan ranges, but challenges loom
Why workers who grow one of the world’s finest teas face an uncertain future
Hindi’s Hindutva problem that supporters are not ready to reckon with
‘Myth is a carrier of history, trauma, resistance’: Subi Taba on writing about Arunachal Pradesh
Harsh Mander: How Nazi cinema finds a reflection in Hindutva films
Watch: In ‘Mandala Murders’, a murder trail leads to a centuries-old secret society
When a unique university on a ship sailed up to India for ‘cultural immersion’
Myths, hearsay, and historical memory coexist in the ways Kashmiris remember decades-long conflicts
Why ‘Kyunki Saas Bhi Kabhi Bahu Thi’ is the perfect show for an India afraid of the future
Russia’s pro-natalist push: Paying pregnant schoolgirls to have babies
Assam: Homes of 1,080 families bulldozed in Goalpara eviction drive
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Dishoom
What the censors cut: ‘Dishoom’, ‘Bad Moms’
Scroll Staff
· Jul 29, 2016 · 02:30 pm
Film review: ‘Dishoom’ plays mostly on mute
Nandini Ramnath
· Jul 29, 2016 · 01:30 pm
Soundtrack review: ‘Dishoom’ makes all the right noises
Manish Gaekwad
· Jul 14, 2016 · 11:00 am
