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Scheduled Caste panel issues notice after Telangana IAS officer asks students to clean toilets
After demolitions in Delhi’s Madrasi Camp, Tamil Nadu offers support to families
In Hyderabad, the international style of art deco reveals itself in homes, with personal touches
UK’s new rules for international students will worsen university finances
Why RSS outfit members are at centre of a Rs 14-crore scam at ICHR
White roofs can cool down homes – but scaling up this simple solution is a challenge
Interview: The photographic memory of a Goan who transcended the colonial gaze
‘I was astonished’: Valmik Thapar (1952–2025) on spotting one of his beloved tigers in the wild
Long shunned as too explicit, an Indian music genre is rising from the margins
Nationalist ideology and the slippery slide into fascism
‘In steps, in leaps’: Meera Ganapathi’s new book of prose-poems about the joys of walking in a city
Nature, who needs it? A writing adventure with Ranjit Hoskote at the Himalayan Writing Retreat
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Jackie
What the censors cut: ‘Rangoon’, ‘Mona Darling’
Scroll Staff
· Feb 24, 2017 · 04:00 pm
Film review: Natalie Portman holds the overly stylised ‘Jackie’ in place
Nandini Ramnath
· Feb 24, 2017 · 11:05 am
How Jacqueline Kennedy spun a fairytale web around herself
Manish Gaekwad
· Feb 23, 2017 · 01:30 pm
Oscars 2017: Five women cut a dash in the best costume design category
Shweta D'Souza
· Feb 21, 2017 · 01:30 pm
